A year in China : $b and a narrative of capture and imprisonment, when homeward bound, on board the rebel pirate FloridaWilliams, Martha Noyes
General
A year in China : $b and a narrative of capture and imprisonment, when homeward bound, on board the rebel pirate Florida
Williams, Martha Noyes
Capture at sea -- Personal narratives; China -- Description and travel; Piracy -- Personal narratives
“At the foot of the great stairway are three large monumental slabs
closely inscribed with names, titles, and laudatory records. An
enclosure, resembling the holy ground that surrounds the ancient
sanctuaries of Europe, is formed by means of walls connecting the rude
rocks that occur in the circuit, and which are always religiously
retained by Chinese artists to decorate. A balustrade, resting on
this dwarf wall, is divided by compartments enriched with tracery,
and decorated with various representations of instruments of music,
implements of art, and weapons of war. A child, seated on a quadruped
of a nondescript species, is attended by venerable men, and followed
by two females carrying umbrellas; while Satan, adorned with monstrous
horns, is fleeing from the party in the utmost dismay.[14]
“Another division is filled with a group representing the dedication
of the temple, and the votive act in which it had its foundation. The
design of the temple includes five separate structures,--the centre
more lofty, the lateral gradually descending from it, and different
also in character and decorations.
“A rich cornice supports a highly ornamental roof, entirely
of porcelain, on which rests a boat or junk, sculptured with
representations of various natural scenes and customs. Beneath the
cornice are two oblong panels, enclosed in frames of bright and colored
stone,--the higher containing bas-reliefs of grotesque figures and
extraordinary combinations, the lower filled with apothegms from the
writings of the great founders of the sect of idolaters who come
here to worship. Beneath this latter tablet opens a large circular
window, the frame of which appears to have been cut, with incalculable
labor, from a single block of stone. Pilasters, wholly covered with
inscriptions, separate the central from the lower divisions; and these
are also adorned with porcelain roofs, massive cornices, and tablets,
on which admonitions and wise maxims are emblazoned.
“Each division is pierced by a square window of large dimensions, the
carvings on which, although an extraordinary evidence of untiring
labor, and unexampled perseverance, are neither beautiful nor
intelligible.”
It was here that I first met with the banian-tree, which is always
found growing in the grounds of Buddhist temples. These trees had
attained a great age, and were so near the buildings that their great
gnarled roots grew over and under the rocks, while their branches
overshadowed much of the pile.
After examining the establishment we passed into one of the rooms of
the cloister, where we were served with some New-Year’s confectionary
by an old priest who had been an inmate of the temple fifty years.
Public-domain text, read in full here on John Shaqi.
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