A Young Man in a Hurry, and Other Short StoriesChambers, Robert W. (Robert William)
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A Young Man in a Hurry, and Other Short Stories
Chambers, Robert W. (Robert William)
Short stories; United States -- Social life and customs -- Fiction
The maid--their only servant--brought a decanter; she could hear the
ring of the glasses, relics of better times.... And now better times
were dawning again--brief, perhaps, for her father, yet welcome as
Indian summer.
After a long while Burleson came to the door, and she looked up,
startled.
"Will you sing? Your father asks it."
"Won't you ask me, too, Mr. Burleson?"
"Yes."
"But I want to show you my rose first. Will you come?--it is just a
step."
He walked out into the moonlight with her; they stood silently before
the bush which had so capriciously bloomed.
"Now--I will sing for you, Mr. Burleson," she said, amiably. And they
returned to the house, finding not a word to say on the way.
The piano was in decent tune; she sat down, nodding across at her
father, and touched a chord or two.
"The same song--the one your mother cared for," murmured her father.
And she looked at Burleson dreamily, then turned, musing with bent head,
sounding a note, a tentative chord. And then she sang.
A dropping chord, lingering like fragrance in the room, a silence, and
she rose, looking at her father. But he, dim eyes brooding, lay back
unconscious of all save memories awakened by her song. And presently she
moved across the room to the veranda, stepping out into the moonlit
garden--knowing perfectly well what she was doing, though her heart was
beating like a trip-hammer, and she heard the quick step on the gravel
behind her.
She was busy with the long stem of the rose when he came up; she broke
it short and straightened up, smiling a little greeting, for she could
not have spoken for her life.
"Will you marry me?" he asked, under his breath.
Then the slow, clear words came, "I cannot."
"I love you," he said, as though he had not heard her. "There is nothing
for me in life without you; from the moment you came into my life there
was nothing else, nothing in heaven or earth but you--your loveliness,
your beauty, your hair, your hands, the echo of your voice haunting me,
the memory of your every step, your smile, the turn of your head--all
that I love in you--and all that I worship--your sweetness, your
loyalty, your bravery, your honor. Give me all this to guard, to
adore--try to love me; forget my faults, forgive all that I lack. I
know--_I_ know what I am--what little I have to offer--but it is all
that I am, all that I have. Constance! Constance! Must you refuse?"
"Did I refuse?" she faltered. "I don't know why I did."
With bare arm bent back and hand pressed over the hand that held her
waist imprisoned, she looked up into his eyes. Then their lips met.
"Say it," he whispered.
"Say it? Ah, I do say it: I love you--I love you. I said it years
ago--when you were a boy and I wore muslin gowns above my knees. Did you
think I had not guessed it?... And you told father to-night--you told
him, because I never heard him laugh that way before.... And you are
Jack--my boy that I loved when I was ten--my boy lover? Ah, Jack, I was
never deceived."
Public-domain text, read in full here on John Shaqi.
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