England -- Social life and customs -- Fiction; Lawyers -- Fiction; Man-woman relationships -- Fiction; Young men -- Fiction
The great Alfred came up. "You're all right," he said briefly to Lady
Fanny and Arthur, and gave a reassuring nod to Lady Swarleigh herself.
Then he looked at his watch, and from it, expectantly, towards the
doors. On the instant they opened; dinner was ready. Alfred again nodded
his head just perceptibly and put his watch back in his pocket. He
turned to Lady Fanny. "You're at the pink table--on the far side." He
smiled dreamily as he added, "In the draught, you know."
"Bother! You always put me there!"
"_Seniores priores_--and little girls last! Sorry for you, Mr. Lisle,
but you see you're on duty--and I've got to sit there myself, moreover.
And you'll have to talk to me, because I haven't got a woman. I'm taking
in the Chief Constable--jolly, isn't it?"
However, at the pink table--where the host presided, flanked by the High
Sheriff's wife and the Bishop's wife--the young folks in the draught got
on very well, in spite of it; and all their wants were most sedulously
supplied.
"The thing in this house is to sit near Alfred," Lady Fanny observed.
"Papa and mamma may get nothing, but you're all right by Alfred!"
"That's a good 'un!" chuckled the Chief Constable, a stout old bachelor
Major of ruddy aspect.
"Thou shalt not muzzle the ox that treadeth out the corn," said Alfred,
who appeared to be fond of proverbial expressions.
"You see, he engages and dismisses all the men," Lady Fanny explained.
It struck Arthur that Lady Fanny and Alfred were in truth remarkably
good friends, and he was not wrong. In the future among his own best
friends he counted Mr. and Lady Fanny Daynton, and Mr. Daynton turned
his remarkable powers of organisation to the service of the public. But
to-night Lady Fanny dutifully devoted herself to the Marshal, and proved
an intelligent as well as a gay companion. Seeing his interest in his
surroundings, she told him about the pictures on the walls, the old
silver ornaments on the table, the armorial devices on the silver
plates. "You see, papa has drummed all the family history into us," she
said, in laughing apology for her little display of learning. "He says
people don't deserve to have old things if they don't take an interest
in them."
"I'm afraid I should take only too much, if they were mine. They appeal
to me awfully." He added, smiling in a burst of candour, with a little
wave of his hands: "So does all this!"
She considered what he said for a moment with a pretty gravity,
evidently understanding his words and gesture to refer to the
surroundings at large, the pomp and circumstance in which it was her lot
to live, to which he came as a stranger and on which he looked with
unaccustomed eyes; she liked his frank admission that it was unfamiliar.
"I don't think it hurts," she said at last, "if you don't take credit to
yourself for it. You know what I mean? If you don't think it makes you
yourself different from other people."
"But is that easy?" he asked in curiosity. "Isn't there a subtle
influence?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account