Aaron the Jew: A NovelFarjeon, B. L. (Benjamin Leopold)
General
Aaron the Jew: A Novel
Farjeon, B. L. (Benjamin Leopold)
Adopted children -- Fiction; Jews -- England -- Fiction
them, a feeling not of mere respect and esteem, but of affection and
love. In the name of the subscribers he offered for their acceptance
two paintings, one a portrait of Mr. Cohen by an artist of renown, for
which he had been good enough to sit, the other a painting which
probably they would look upon now for the first time. The latter
picture was an accidental discovery, but Mr. Cohen would tell them
whether they were right in seizing the opportunity to obtain it, and
whether they were right in their belief that his esteemed wife had
unconsciously inspired the artist who had availed himself of a happy
chance to immortalise himself.
The pictures were then unveiled amid general acclamation, and if ever
Rachel wished for the blessing of sight to be restored to her it was
at that moment; but it was only for a moment. The dependence she
placed upon her husband, the trust she had in him, the pleasure she
derived from his eloquent and sympathetic descriptions of what was
hidden from her, were of such a nature that she sometimes said inly,
"I am thankful I can see only through the eyes of my dear husband."
The portrait of himself, from his frequent sittings, was familiar to
Aaron Cohen, but the picture of his beloved sitting beneath the cherry
tree was a delightful surprise to him. It was an exquisitely painted
scene, and Rachel's portrait was as faithful as if she had given
months of her time towards its successful accomplishment.
Aaron's response was happy up to a certain point. Except to pay a
deserved compliment to the artist and to express his gratitude to the
subscribers, he said little about the portrait of himself. The
presentation of the second picture supplied the theme for the
principal part of his speech. He said there was no doubt that it was a
portrait of his dear wife, and he recalled the time they had passed in
the south of France, and described all the circumstances of the
intimacy with the artist which had led to the painting of the picture.
He was grateful for that intimacy because of its result, which he saw
before him, and because of the pleasure it would afford his beloved
wife, who, until to-day, had been as ignorant as himself that such a
painting was in existence. "I went to the south of France," he said,
"in the hope that my wife, who was in a delicate state of health,
would be benefited by a short stay there. My hope was more than
realised; she grew strong there; my son, whose absence from England
deprives him of the pleasure of being present on this interesting
occasion, was born there, and there the foundation of my prosperity
was laid. It might be inferred from this that I believe all the events
of a man's life are ruled by chance, but such is not my belief. There
is an all-seeing Providence who shows us the right path; He speaks
through our reason and our consciences, and except for the accident of
birth, which lays a heavy burden upon many unfortunate beings, and
Public-domain text, read in full here on John Shaqi.
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