English fiction -- 19th century; Short stories, English
Whether Macdougal or Macdoodle be his name, the principle remains the
same, as Mrs. Nickleby said. The gentleman appeared to hold authority
in London, and by virtue of his position preached or ordained that
music-halls were vulgar, if not improper. Subsequently, I gathered
that the gentleman was inciting his associates to shut up certain
music-halls on the ground of the vulgarity aforesaid, and I saw with
my own eyes that unhappy little managers were putting notices into the
corners of their programmes begging the audience to report each and
every impropriety. That was pitiful, but it excited my interest.
Now, to the upright and impartial mind--which is mine--all the
diversions of Heathendom--which is the British--are of equal
ethnological value. And it is true that some human beings can be
more vulgar in the act of discussing etchings, editions of luxury,
or their own emotions, than other human beings employed in swearing
at each other across the street. Therefore, following a chain of
thought which does not matter, I visited very many theatres whose
licenses had never been interfered with. There I discovered men and
women who lived and moved and behaved according to rules which in no
sort regulate human life, by tradition dead and done with, and after
the customs of the more immoral ancients and Barnum. At one place the
lodging-house servant was an angel, and her mother a Madonna; at a
second they sounded the loud timbrel o'er a whirl of bloody axes, mobs,
and brown-paper castles, and said it was not a pantomime, but Art;
at a third everybody grew fabulously rich and fabulously poor every
twenty minutes, which was confusing; at a fourth they discussed the
Nudities and Lewdities in false-palate voices supposed to belong to
the aristocracy and that tasted copper in the mouth; at a fifth they
merely climbed up walls and threw furniture at each other, which is
notoriously the custom of spinsters and small parsons. Next morning the
papers would write about the progress of the modern drama (that was the
silver paper pantomime), and "graphic presentment of the realities of
our highly complex civilisation." That was the angel housemaid. By the
way, when an Englishman has been doing anything more than unusually
Pagan, he generally consoles himself with "over-civilisation." It's the
"martyr-to-nerves-dear" note in his equipment.
Public-domain text, read in full here on John Shaqi.
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