English fiction -- 19th century; Short stories, English
"We charged the boys a dollar a head per trip. One free drink included.
That paid--paid like--Paradise. They liked the motion. O'Grady was
engineer, and another man sort of tended to the rope engine when he
wasn't otherwise engaged. Those cable-cars run by gripping on to the
rope. You know that. When the grip's off the car is braked down and
stands still. There ought to have been two cars by right--one to run up
and the other down. But O'Grady had a blamed invention for reversing
the engine, so the cable ran both ways--up to Bow Flume and down to
the saloon--the terminus being in front of our door. A man could kick
a friend slick from the bar into the car. The boys appreciated that.
The Bow Flume Palace Car Company earned twenty on the hundred in three
months, besides the profits of the drinks. We might have lasted to this
day if O'Grady hadn't tinkered his blamed engine up on top of Bow Flume
Hill. The boys complained the show didn't hum sufficient. They required
railroad speed. O'Grady ran 'em up and down at fourteen miles an hour;
and his latest improvement was to touch twenty-four. The strain on the
brakes was terrible--quite terrible. But every time O'Grady raised the
record, the boys gave him a testimonial. 'Twasn't in human nature not
to crowd ahead after that. Testimonials demoralise the publickest of
men.
"I rode on the car that memorial day. Just as we started with a double
load of boys and a razzle-dazzle assortment of drinks, something
went _zip_ under the car bottom. We proceeded with velocity. All the
prominent members of the company were aboard. 'The grip has got
snubbed on the rope,' says O'Grady quite quietly. 'Boys, this will
be the biggest smash on record. Something's going to happen.' We
proceeded at the rate of twenty-four miles an hour till the end of
our journey. I don't know what happened there. We could get clear of
the rope anyways at the point where it turned round a pulley to start
up hill again. We struck--struck the stoop of the 'Wake Up an' Git
Saloon'--_my_ saloon--and the next thing I knew was feeling of my legs
under an assortment of matchwood and broken glass, representing liquor
and fixtures to the tune of eight thousand. The car had been flicked
through the saloon, bringing down the entire roof on the floor. It
had then bucked out into the firmament, describing a parabola over
the bluff at the back of the saloon, and was lying at the foot of
that bluff, three hundred feet below, like a busted kaleidoscope--all
nickel, shavings and bits of red glass. O'Grady and most of the
prominent members of the company were dead--very dead--and there wasn't
enough left of the saloon to pay for a drink. I took in the situation
lying on my stomach at the edge of the bluff, and I suspicioned that
any lawsuits that might arise would be complicated by shooting. So I
quit Bow Flume by the back trail. I guess the coroner judged that there
were no summons--leastways I never heard any more about it. Since that
Public-domain text, read in full here on John Shaqi.
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