Abe and Mawruss: Being Further Adventures of Potash and PerlmutterGlass, Montague
General
Abe and Mawruss: Being Further Adventures of Potash and Perlmutter
Glass, Montague
Clothing trade -- New York (State) -- New York -- Fiction; Jews -- New York (State) -- New York -- Fiction
"Oh, nothing," the professor replied; "only my brother Aaron sold to a
feller by the name Potash the other day a fiddle which I myself bought
from old Hubai a couple years ago for fifteen dollars yet; and if that's
the one you are talking about, Emil, you should quick go up to the
theayter and forget about it. Because, Emil, if that fiddle is an Amati,
you are a Kubelik and I am a Kreisler."
"Sure, I know, Louis," Emil agreed; "but just the same I got to go up
there to make the ten, so if you would do me the favour and _spiel_ for
me till half-past nine you could get anyhow three dollars of it."
"I am willing," the professor said; and ten minutes later he was on his
way up to the Palace Theatre of Varieties.
It was precisely half-past nine, while a tabloid drama in progress on
the stage rendered the presence of the orchestra unnecessary, that Emil
Pilz returned.
"_Nu_ Emil," Louis said as they stood in the corridor leading to the
stage entrance, "did you seen the Amati?"
He grinned in humorous anticipation of Emil's answer.
"Yes, I did seen it," Emil replied, "and it's a very elegant, grand
model."
"Sure," the professor said; "made in Bavaria with an ax."
"Don't you fool yourself, Louis," Emil retorted. "That's an elegant
instrument from Nicolo Amati's best period. If it's worth a cent it's
worth three thousand dollars."
"_Schmooes_, Emil!" Louis cried. "What are you trying to do?--kid me?"
"What d'ye mean, kid you?" Emil asked. "I should never stir from this
spot, Louis, if that ain't an Amati. It's got a tone like gold, Louis."
For a brief interval Louis stared at his informant.
"Do you mean to told me, Emil, that that fiddle is a real, genu-ine
Amati?"
"Listen here to me, Louis," Emil declared; "if I wouldn't be sure that
it was genu-ine why should I got such a heart that I would act that way
to that feller Potash? When--so sure as you are standing there,
Louis--when I told him it was a genu-ine Amati he pretty near got a fit
already; and as for his partner by the name Perlmutter, he hollered so I
thought he was going to spit blood already."
Louis licked his dry lips before making any reply.
"So, then, I am paying fifteen dollars for a fiddle which it is a
genu-ine Amati," he said, "and that brother of mine which he ain't got
no more sense as a lunatic lets it go for a song already."
"Well, I couldn't stop to talk to you now, Louis," Emil said. "I must
got to get on the job. I am going to be to-morrow morning, ten o'clock,
at this here Potash & Perlmutter's, and if you want to you could meet me
there with old man Hubai."
"Old man Hubai!" Louis cried. "What's he got to do with it?"
"He's got a whole lot to do with it, Louis," Emil said. "A feller like
him sells you a three-thousand-dollar violin for fifteen dollars which
he ain't got a penny in the world, y'understand, and I should stand by
and see him get done!"
Professor Wcelak hung his head and blushed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account