Abigail Adams and Her TimesRichards, Laura Elizabeth Howe
History
Abigail Adams and Her Times
Richards, Laura Elizabeth Howe
Adams, Abigail, 1744-1818
The custom of sending bonbons to the children dates back to Colonial
times, when any social entertainment was apt to be followed by what was
pleasantly called "Cold Party." The day after, the hostess would send a
judicious assortment of leftover delicacies to such neighbors as had
been unable to join the party. In my own childhood, my mother's going to
a dinner party was always an occasion of excitement, because of
wonderful bonbons that we children would receive the next day; pieces of
red or white sugar candy, in elaborate wrappings of gilt paper, tinsel
and gauze: I do not see the like today.
Philadelphia society was certainly brilliant in those days. The Duke of
Rochefoucauld-Liancourt was deeply impressed by it, and wrote in his
book of Travels:
"The profusion and luxury of Philadelphia on great days, at the tables
of the wealthy, in their equipages, and the dresses of their wives and
daughters, are, as I have observed, extreme. I have seen balls on the
President's birthday where the splendor of the rooms, and the variety
and richness of the dresses did not suffer in comparison with Europe;
and it must be acknowledged that the beauty of the American ladies has
the advantage in the comparison. The young women of Philadelphia are
accomplished in different degrees, but beauty is general with them. They
want the ease and fashion of Frenchwomen; but the brilliancy of their
complexion is infinitely superior. Even when they grow old they are
still handsome; and it would be no exaggeration to say in the numerous
assemblies of Philadelphia it is impossible to meet with what is called
a plain woman. As for the young men, they for the most part seem to
belong to another species."
What were these rich and various dresses? We have chapter and verse for
some of them. One lady wore at a certain ball "a plain celestial-blue
satin, with a white satin petticoat. On the neck was worn a very large
Italian gauze handkerchief, with border stripes of satin. The head-dress
was a pouf of gauze, in the form of a globe, the creneaux or headpiece
of which was composed of white satin, having a double wing in large
plaits, and trimmed with a wreath of artificial roses, falling from the
left at the top to the right at the bottom, in front, and the reverse
behind. The hair was dressed all over in detached curls, four of which,
in two ranks, fell on each side of the neck, and were relieved behind by
a floating _chignon_."
Public-domain text, read in full here on John Shaqi.
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