Country life -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- Fiction
His thoughts of Lassigny had swung once more towards complete
antagonism. He seemed to him far older than he really was, and far more
immoral than he had any just reason to suppose him to be. He resented
the assurance with which this outsider had claimed his sweet white child
as his fitting mate, and even the wealth and station that alone had
given him that assurance. And he also resented the ease with which he
had accepted his period of banishment. He would have been angry if
Lassigny had tried to communicate with Beatrix directly, and would not
have liked it if he had sought to do so indirectly. But he would not
have liked anything that Lassigny did or didn't do. The image of him,
coming to his mind, when perhaps he had been able to forget it for a
time, jerked him down into a state of gloom. After a moment's silence
his face would often be darkened by a sudden frown, which did not suit
its habitual agreeable candour, and had seldom before been seen on it.
It had been his habit to take his morning cup of tea into one of the
children's rooms and chat with them, sitting on the bed, while they
drank theirs. But his visits to Beatrix were always shorter than the
others, because she had a photograph of Lassigny always propped up on
the table by the side of her bed, so that she could see it when she
first woke in the morning; and he couldn't stand that. He never sat down
on her bed, because he could see the face of the photograph from it, but
walked about the room, or sat in a chair some way off. And of course she
knew the reason, but wouldn't put away the photograph before he came.
This was one of her little protests against his attitude; and there were
others. She also could make her pretty face shut down obstinately, and
did so whenever the conversation might have led naturally to mention of
her lover. She almost succeeded in creating the impression that it was
she who refused to have his name mentioned. At times when the family
contact seemed to be at its most perfect, and the happy occupied life of
the Abbey was flowing along in its pleasant course, as if its inmates
were all-sufficing to one another, it would be brought up with a sudden
check. There was an irritating factor at work, like a tiny stone in a
shoe, that settles itself where it cannot be felt except now and then,
and must eventually be got rid of. But this influence could not be got
rid of. That was Grafton's trouble.
Public-domain text, read in full here on John Shaqi.
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