"About My Father's Business": Work Amidst the Sick, the Sad, and the SorrowingArcher, Thomas
Religion
"About My Father's Business": Work Amidst the Sick, the Sad, and the Sorrowing
Archer, Thomas
Pastoral theology
It was at Christmas-tide seven years ago that I first
visited the hospital, and there were then very pleasant
evidences of the season to be discovered in all kinds of
festive ornament in the long wards, and especially in the
smaller rooms, where this loving woman had attracted
other loving women around her, as nurses to the suffering
little ones; and was there and then engaged in the
superintendence of a glorious Christmas-tree. But the
time came when the hoped-for support having arrived,
Mr. and Mrs. Heckford felt that they could leave the
family of forty children to the care of those who had
taken up the work with heartfelt sympathy. They had
laboured worthily and well, but, alas!—the reward came
late—late at least for him, who had been anxious to
take his wife away to some warmer climate, in an endeavour
to restore the strength that had been spent in the
long effort to rear a permanent refuge for sick children
in that dense neighbourhood. It was he who stood
nearest to shadow-land,—he who was soonest to enter
into the light and the rest that lay beyond. Mr. Heckford
died, I believe, at Margate, after a short period of
leisure and travel, which his wife shared with him. His
picture, presented by her to the charity which they both
founded, is to be seen in the boys' ward. Another portrait
of him—a portrait in words written by the late Mr.
Charles Dickens, who visited and pathetically described
{106}
the children and their hospital in December, 1868, conveys
the real likeness of the man.
"An affecting play was acted in Paris years ago, called
the Children's Doctor. As I parted from my Children's
Doctor now in question, I saw in his easy black necktie,
in his loose-buttoned black frock-coat, in his pensive face,
in the flow of his dark hair, in his eyelashes, in the very
turn of his moustache, the exact realisation of the Paris
artist's ideal as it was presented on the stage. But no
romancer that I know of has had the boldness to prefigure
the life and home of this young husband and
wife, in the Children's Hospital in the East of London."
What the hospital was then, it has remained—but with
such improvements as increased funds and a more complete
organisation have effected. It is still the ark of
refuge for those little ones who, smitten with sudden disease,
or slowly fading before the baleful breath of famine
or of fever, or ebbing slowly away from life by the fatal
influences that sap the constitutions of the young in such
neighbourhoods, are taken in that they may be brought
back to life, or at worst may be lovingly tended, that the
last messenger may be made to bear a smile.
Public-domain text, read in full here on John Shaqi.
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