Jaurès is a type, almost unique in modern times, of the great political
orator who is also a great thinker, and who combines vast culture with
penetrating observation, and moral grandeur with energetic activity. We
must go back to antiquity to find one who, like him, could stir the
crowd and give pleasure to the few; pour out his overflowing genius not
only in his speeches and social treatises, but also in his philosophical
and historical works;[40] and leave on all things the impress of his
personality, the furrow of his robust labor, the seeds of his
progressive mind. I have listened to him often in the Chamber, at
socialist congresses, at meetings held on behalf of oppressed nations;
he even did me the honor of presenting my _Danton_ to the people of
Paris. Again I see his full face, calm and happy like that of a kindly,
bearded ogre; his small eyes, bright and smiling; eyes as quick to
follow the flight of ideas as to observe human nature. I see him pacing
up and down the platform, walking with heavy steps like a bear, his arms
crossed behind his back, and turning sharply to hurl at the crowd, in
his monotonous, metallic voice, words like the call of a trumpet, which
reached the farthest seats in the vast amphitheatre, and went straight
to the heart, making the soul of the whole multitude leap in one united
emotion. What beauty there was in the sight of these proletarian masses
stirred by the visions which Jaurès evoked from distant horizons,
imbibing the thought of Greece through the voice of their tribune!
Of all this man's gifts the most fundamental was to be essentially a
_man_--not the man of a single profession, or class, or party, or
idea--but a complete, harmonious, and free man. His all-comprehensive
nature could be the slave of nothing. The highest manifestations of life
flowed together and met in him. His intelligence demanded unity,[41] his
heart was full of a passion for liberty,[42] and this twofold instinct
protected him alike from party despotism and anarchy. His spirit sought
to encompass all things, not in order to do violence to them, but to
bring them into harmony. Above all, he had the power of seeing the
_human_ element in all things, and this universal sympathy was equally
averse to narrow negation and fanatical affirmation. All intolerance
inspired him with horror.[43]
Public-domain text, read in full here on John Shaqi.
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