English fiction -- 20th century; Short stories, English
“As door-nails, sir. They regarded life as a thing to be enjoyed--a
vice you will not have noticed in the British. The Greeks were an
outdoor people, who lived in the sun and the fresh air, and had none of
the niceness bred by the life of our towns. We have long been renowned
for our delicacy about the body; nor has the tendency been decreased by
constituting Watch Committees of young persons in every borough. These
are now the arbiters of art, and nothing unsuitable to the child of
seven passes their censorship.”
“How careful!” said the Angel.
“The result has been wonderful,” remarked his dragoman. “Wonderful!” he
repeated, dreamily. “I suppose there is more smouldering sexual desire
and disease in this country than in any other.”
“Was that the intention?” asked the Angel.
“Oh! no, sir! That is but the natural effect of so remarkably pure
a surface. All is within instead of without. Nature has now wholly
disappeared. The process was sped-up by the Great Skirmish. For,
since then, we have had little leisure and income to spare on the
gratification of anything but laughter; this and the ‘unco guid’
have made our art-surface glare in the eyes of the nations, thin and
spotless as if made of tin.”
The Angel raised his eyebrows. “I had hoped for better things,” he said.
“You must not suppose, sir,” pursued his dragoman, “that there is not
plenty of the undraped, so long as it is vulgar, as you saw just now
upon the stage, for that is good business; the line is only drawn at
the danger-point of art, which is always very bad business in this
country. Yet even in real life the undraped has to be grotesque to be
admitted; the one fatal quality is natural beauty. The laugh, sir, the
laugh--even the most hideous and vulgar laugh--is such a disinfectant.
I should, however, say in justice to our literary men, that they have
not altogether succumbed to the demand for cachinnations. A school,
which first drew breath before the Great Skirmish began, has perfected
itself, till now we have whole tomes where hardly a sentence would
be intelligible to any save the initiate; this enables them to defy
the Watch Committees, with other Philistines. We have writers who
mysteriously preach the realisation of self by never considering
anybody else; of purity through experience of exotic vice; of courage
through habitual cowardice; and of kindness through Prussian behaviour.
They are generally young. We have others whose fiction consists of
autobiography interspersed with philosophic and political fluencies.
These may be of any age from eighty odd to the bitter thirties. We have
also the copious and chatty novelist; and transcribers of the life of
the Laborious, whom the Laborious never read. Above all, we have the
great Patriotic school, who put the national motto first, and write
purely what is good for trade. In fact, we have every sort, as in the
old days.”
“It would appear,” said the Angel, “that the arts have stood somewhat
still.”
Public-domain text, read in full here on John Shaqi.
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