English fiction -- 20th century; Short stories, English
This fancy was so new that it pleased her greatly, and she recommended
the book to all her friends. The moral, of course, was purely Eastern,
and had no applicability whatever to Western life, where, the more one
did and expressed, the bigger and more healthy one’s spirit grew--as
witness what she always felt to be going on within herself. But next
spring she changed the blue tiles of her Persian smoking-room, put in
a birch-wood floor, and made it all Russian. This she did, however,
merely because one new room a year was absolutely essential to her
spirit.
In her perpetual journey toward an ever-widening horizon of woman’s
life, she was not so foolish as to prize danger for its own sake--that
was by no means her idea of adventure. That she ran some risks it
would be idle to deny, but only when she had discerned the substantial
advantage of a new sensation to be had out of adventures, not at all
because they were necessary to keep her soul alive. She was, she felt,
a Greek in spirit, only more so perhaps, having in her also something
of America and the West End.
How she came to be at all was only known to that age--whose daughter
she undoubtedly was--an age which ran all the time, without any foolish
notion where it was running to. There was no novelty in a destination,
and no sensation to be had from sitting cross-legged in a tub of
sunlight--not, at least, after you had done it once. _She_ had been
born to dance the moon down, to ragtime. The moon, the moon! Ah, yes!
It was the one thing that had as yet eluded her avidity. That, and her
own soul.
IX.--THE PERFECT ONE
Public-domain text, read in full here on John Shaqi.
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