combustible material. He never sawed the air nor rent space into tatters
and rags, as some orators do. He never acted for stage effect. He was
cool, considerate, reflective--in time self-possessed and self-reliant.
His style was clear, terse, and compact. In argument he was logical,
demonstrative, and fair. He was careless of his dress, and his clothes,
instead of fitting, as did the garments of Douglas on the latter's
well-rounded form, hung loosely on his giant frame.
"As he moved along in his speech he became freer and less uneasy in his
movements; to that extent he was graceful. He had a perfect naturalness,
a strong individuality; and to that extent he was dignified. There was
a world of meaning and emphasis in the long, bony finger of his right
hand as he dotted the ideas on the minds of his hearers. Sometimes,
to express joy or pleasure, he would raise both hands at an angle of
about fifty degrees, the palms upward. If the sentiment was one of
detestation,--denunciation of slavery, for example,--both arms, thrown
upward and the fists clinched, swept through the air, and he expressed
an execration that was truly sublime. This was one of his most effective
gestures, and signified most vividly a fixed determination to drag down
the object of his hatred and trample it in the dust. He always stood
squarely on his feet, toe even with toe; that is, he never put one
foot before the other. He neither touched nor leaned on anything for
support. He made but few changes in his positions and attitudes. He
never ranted, never walked backward and forward on the platform. To ease
his arms he frequently caught hold, with his left hand, of the lapel of
his coat, keeping his thumb upright and leaving his right hand free to
gesticulate. The designer of the monument erected in Chicago has happily
caught him in just this attitude. As he proceeded with his speech the
exercise of his vocal organs altered somewhat the tone of his voice. It
lost in a measure its former acute and shrilling pitch, and mellowed
into a more harmonious and pleasant sound. His form expanded, and,
notwithstanding the sunken breast, he rose up a splendid and imposing
figure. His little gray eyes flashed in a face aglow with the fire of
his profound thoughts, and his uneasy movements and diffident manner
sunk themselves beneath the wave of righteous indignation that came
sweeping over him. Such was Lincoln the orator."
Public-domain text, read in full here on John Shaqi.
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