Abraham Lincoln: The True Story of a Great Life, Volume 1 (of 2)Herndon, William Henry
History
Abraham Lincoln: The True Story of a Great Life, Volume 1 (of 2)
Herndon, William Henry
Lincoln, Abraham, 1809-1865
It was not long until he was able to draw up deeds, contracts,
mortgages, and other legal papers for his neighbors. He figured
conspicuously as a pettifogger before the justice of the peace, but
regarding it merely as a kind of preliminary practice, seldom made any
charge for his services. Meanwhile he was reading not only law books but
natural philosophy and other scientific subjects. He was a careful
and patient reader of newspapers, the _Sangamon Journal_--published at
Springfield--_Louisville Journal, St. Louis Republican, and Cincinnati
Gazette_ being usually within his reach. He paid a less degree of
attention to historical works, although he read Rollin and Gibbon while
in business with Berry. He had a more pronounced fondness for fictitious
literature, and read with evident relish Mrs. Lee Hentz's novels, which
were very popular books in that day, and which were kindly loaned him
by his friend A. Y. Ellis. The latter was a prosperous and shrewd young
merchant who had come up from Springfield and taken quite a fancy to
Lincoln. The two slept together and Lincoln frequently assisted him in
the store. He says that Lincoln was fond of short, spicy stories one and
two columns long, and cites as specimens, "Cousin Sally Dillard," "Becky
William's Courtship," "The Down-Easter and the Bull," and others, the
very titles suggesting the character of the productions. He remembered
everything he read, and could afterwards without apparent difficulty
relate it. In fact, Mr. Lincoln's fame as a storyteller spread far and
wide. Men quoted his sayings, repeated his jokes, and in remote places
he was known as a story-teller before he was heard of either as lawyer
or politician.
It has been denied as often as charged that Lincoln narrated vulgar
stories; but the truth is he loved a story however extravagant or
vulgar, if it had a good point. If it was merely a ribald recital and
had no sting in the end, that is, if it exposed no weakness or pointed
no moral, he had no use for it either in conversation or public speech;
but if it had the necessary ingredients of mirth and moral no one could
use it with more telling effect. As a mimic he was unequalled, and
with his characteristic gestures, he built up a reputation for
story-telling--although fully as many of his narratives were borrowed as
original--which followed him through life. One who listened to his
early stories in New Salem says: "His laugh was striking. Such awkward
gestures belonged to no other man. They attracted universal attention,
from the old sedate down to the schoolboy. Then in a few moments he was
as calm and thoughtful as a judge on the bench, and as ready to give
advice on the most important matters; fun and gravity grew on him
alike."
Public-domain text, read in full here on John Shaqi.
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