Some of the bronzed cattlemen one sees in Kansas City, though they yield to civilization to the extent of wearing shirts, have not yet sunk to the slavery of collars. They do not wear "chaps" and revolvers, it is true, but they are clearly plainsmen, and some of them sport colored handkerchiefs about their necks, knotted in the back, and hanging in loose folds in front. Once or twice, upon my walks, I saw an Indian as well, though not a really first-class moving-picture Indian. That is too much to expect. Such Indians as one may meet in Kansas City are civilized and citified to a sad degree. Nor are the Mexicans, many of whom are employed as laborers, up to specifications as to picturesqueness. I feel it particularly necessary to state these truths, disillusioning though they may be to certain youthful readers who may treasure fond hopes of finding, in Kansas City, something of that wild and woolly fascination which the cinematograph so often pictures. True, a large gray wolf was killed by a Kansas City policeman last winter, after it had run down Linwood Boulevard, biting people, but that does not happen every day, and it is recorded that the youth who recently appeared on the Kansas City streets, dressed in "chaps" and carrying a revolver with which he shot at the feet of pedestrians, to make them dance, declared himself, when taken up by the police, to have recently arrived from Philadelphia, where he had obtained his ideas of western manners from the "movies." I mention this incident because, after having labeled Kansas City "Western," I wish to leave no loopholes for misunderstanding. The West of Bret Harte and Jesse James is gone. All that is left of it is legend. When I speak of a western city I think of a city young, not altogether formed, but full of dauntless energy. And when I speak of western people I think of people who possess, in larger measure than any other people I have met, the solid traits of character which make human beings admirable.