Abroad at Home: American Ramblings, Observations, and Adventures of Julian StreetStreet, Julian
General
Abroad at Home: American Ramblings, Observations, and Adventures of Julian Street
Street, Julian
United States -- Description and travel; United States -- Social life and customs -- 1865-1918
After walking up the main street a little way, I turned off into a side
street lined with flimsy buildings, half of them tumble-down and
abandoned. Turning into another street I came upon a long row of tiny
one story houses, crowded close together in a block. Some of them were
empty, but others showed signs of being occupied. And instead of a
number, the door of each one bore a name, "Clara," "Louise," "Lina," and
so on, down the block. For a time there was not a soul in sight as I
walked slowly down that line of box-stall houses. Then, far ahead, I saw
a woman come out of a doorway. She wore a loose pink wrapper and carried
a pitcher in her hand. I watched her cross the street and go into a
dingy building. Then the street was empty again. I walked on slowly. As
I passed one doorway it opened suddenly and a man came out--a shabby man
with a drooping mustache. He did not look at me as he passed. The
window-shade of the crib from which he had come went up as I moved by.
I looked at the window, and as I did so, the curtains parted and the
face of a negress was pressed against the pane, grinning at me with a
knowing, sickening grin.
I passed on. From another window a white woman with very black hair and
eyes, and cheeks of a light orchid-shade, showed her gold teeth in a
mirthless automatic smile, and added the allurement of an ice-cold wink.
The door of the crib at the corner stood open, and just before I reached
it a woman stepped out and surveyed me as I approached. She wore a white
linen skirt and a middy blouse, attire grotesquely juvenile for one of
her years. Her hair, of which she had but a moderate amount, was light
brown and stringy, and she wore gold-rimmed spectacles. She did not look
depraved but, upon the contrary resembled a highly respectable, if
homely, German cook I once employed. As I passed her window I saw
hanging there a glass sign, across which, in gold letters, was the
title, "Madam Leo."
"Madam Leo," she said to me, nodding and pointing at her chest. "That's
me. Leo, the lion, eh?" She laughed foolishly.
I paused and made some casual inquiry concerning her prosperity.
"Things is dull now in Cripple Creek," she said. "There ain't much
business any more. I wish they'd start a white man's club or a dance
hall across the street. Then Cripple Creek would be booming."
I think I remarked, in reply, that things did look rather dull. In the
meantime I glanced in at her little room. There was a chair or two, a
cheap oak dresser, and an iron bed. The room looked neat.
"Ain't I got a nice clean place?" suggested Madam Leo. Then as I
assented, she pointed to a calendar which hung upon the wall. At the top
of it was a colored print from some French painting, showing a Cupid
kissing a filmily draped Psyche.
"That's me," said Madam Leo. "That's me when I was a young girl!" Again
she loosed her laugh.
I started to move on.
"Where are you from?" she asked.
"I came up from Colorado Springs," I said.
Public-domain text, read in full here on John Shaqi.
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