London (England) -- Social life and customs -- Fiction; Love -- Fiction; Political fiction; Satire
“I am afraid, Josephine,” said he with the utmost calmness, “that you
have been too late in coming to this determination. You cannot be so
flagrantly inconsistent.”
“I know nothing about consistency or inconsistency; I love another man,
and all the arguments in the world will not prevent my loving him.”
She knew where she stood now. Her position was impregnable.
“You say that you broke off your engagement with me. Why? Because I had
not got your father’s consent. Well, if the absence of your father’s
consent was a legitimate reason for our engagement coming to an end
it is certainly a reason for your refraining from entering into an
engagement with another man, for your father cannot give his consent to
two men at the same time. You see that you cannot possibly--as you are
showing--be engaged to any one but myself.”
“I told you I care nothing for consistency--or reason--or
logic--or--or--_you_. I love another man--I love another man.”
“I am sorry for you, dear Josephine. But if you do not care anything for
consistency and me, I care for consistency and you far too much to
relinquish either. If you can show me that there has ever been a breach
in our engagement I might be led to consider the situation from another
standpoint. Look at me and tell me that you understood clearly when we
parted last that you were free--that there was no uneasy feeling in your
mind that you were still bound to me. You see, you cannot. You are
silent. Yes, my dearest, there was a bond between us when we separated,
and you and I are engaged now, as we have been for several months, and
your father and mother take exactly the same view of our position, and
are good enough to sanction it. That is enough for me; it should be
enough for you. I decline to take any other view of the matter. You have
admitted tacitly--that I never released you. I decline to release you
now. Of course you will accept the situation. Think over it and you will
find that no alternative remains. Good-bye, my dear--for the present.”
He did not ask her to give him her hand; but simply moved smiling, to
the door with a wave of his own hand that somehow produced upon her
the effect of shaking hands with her--at any rate that graceful gesture
rendered a parting salute unnecessary, without the slightest suggestion
of a breach of courtesy.
He was gone, and he had got the better of her--that was her first
impression when he had closed the door--very gently--behind him. He had
been too clever for her. She knew long ago that it would be ridiculous
for her to hope to get the better of him.
Public-domain text, read in full here on John Shaqi.
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