Account of a Tour in Normandy, Volume 2Turner, Dawson
History
Account of a Tour in Normandy, Volume 2
Turner, Dawson
Architecture -- France -- Normandy; Normandy (France) -- Antiquities; Normandy (France) -- Description and travel
I must now return to more genuine fortifications.--When the walls of
Caen were perfect, they afforded an agreeable and convenient promenade
completely round the town, their width being so great, that three
persons might with ease walk abreast upon them. De Bourgueville tells us
that, in his time, they were as much frequented as the streets; and he
expatiates with great pleasure upon the gay and busy prospect which they
commanded,
The castle at Caen, degraded as it is in its character by modern
innovation, is more deserving of notice as an historical, than as an
architectural, relic. It still claims to be ranked as a place of
defence, though it retains but few of its original features. The
spacious, lofty, circular towers, known by the names of the black, the
white, the red, and the grey horse, which flanked its ramparts, have
been brought down to the level of the platform. The dungeon tower is
destroyed. All the grandeur of the Norman castle is lost; though the
width of its ditches, and the thickness of its walls, still testify its
ancient strength. I doubt whether any castle in France covers an equal
extent of ground. Monstrelet and other writers have observed, that this
single fortress exceeded in size the towns of Corbeil or of Montferrand;
and, indeed, there are reasons for supposing that Caen, when first
founded, only occupied the site of the present castle; and that, when it
became advisable to convert the old town into a fortress, the
inhabitants migrated into the valley below. Six thousand infantry could
be drawn up in battle-array within the outer ballium; and so great was
the number of houses and of inhabitants enclosed within its area, that
it was thought expedient to build in it a parochial church, dedicated to
St. George, besides two chapels.
Public-domain text, read in full here on John Shaqi.
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