Account of a Tour in Normandy, Volume 2Turner, Dawson
History
Account of a Tour in Normandy, Volume 2
Turner, Dawson
Architecture -- France -- Normandy; Normandy (France) -- Antiquities; Normandy (France) -- Description and travel
Great attention, however, is paid to costume; and more individuality of
character has been preserved than could have been expected, considering
the rude style of the workmanship. The Saxons are represented with long
mustachios: the Normans have their upper lip shaven, and retain little
more hair upon their heads than a single lock in front.--Historians
relate how the English spies reported the invading army to be wholly
composed of ecclesiastics; and this tapestry affords a graphical
illustration of the chroniclers' text. Not the least remarkable feature
of the tapestry, in point of costume, lies in the armor, which, in some
instances, is formed of interlaced rings; in others, of square
compartments; and in others, of lozenges. Those who contend for the
antiquity of Duke William's equestrian statue at Caen, may find a
confirmation of their opinions in the shape of the saddles assigned to
the figures of the Bayeux tapestry; and equally so in their cloaks, and
their pendant braided tresses.
The tapestry is coiled round a cylinder, which is turned by a winch and
wheel; and it is rolled and unrolled with so little attention, that if
it continues under such management as the present, it will be wholly
ruined in the course of half a century. It is injured at the beginning:
towards the end it becomes very ragged, and several of the figures have
completely disappeared. The worsted is unravelling too in many of the
intermediate portions. As yet, however, it is still in good
preservation, considering its great age, though, as I have just
observed, it will not long continue so. The bishop and chapter have
lately applied to government, requesting that the tapestry may be
restored to the church. I hope their application will be successful.
* * * * *
FOOTNOTES:
[Footnote 82: The most interesting relic of Roman times yet found at
Vieux, is a cippus of variegated marble, about five feet high by two
feet wide, and bearing inscriptions upon three of its sides. It
generally passes in France by the name of the _Torigny marble_, being
preserved at the small town of the latter name, whither it was carried
in 1580, the very year when it was dug up. The Abbé Le Beuf has made it
the subject of a distinct paper in the _Mémoires de l'Académie des
Inscriptions_. This cippus supported a statue raised in honor of Titus
Sennius Sollemnis, a Viducassian by birth, and one of the high priests
of the town. The statue was erected to him after his death, in the
Viducassian capital, upon a piece of ground granted by the senate for
the purpose, in pursuance of a general decree passed by the province of
Gaul. The inscriptions set forth the motives that induced the nation to
bestow so marked a distinction upon a simple individual; and, in the
foremost rank of his merits, they place the games which he had given to
his fellow-citizens, during four successive days.]
[Footnote 83: _Mémoires de l'Académie des Inscriptions_, XXI. p. 489.]
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