Account of a Tour in Normandy, Volume 2Turner, Dawson
History
Account of a Tour in Normandy, Volume 2
Turner, Dawson
Architecture -- France -- Normandy; Normandy (France) -- Antiquities; Normandy (France) -- Description and travel
"Vicus erat scabrâ circumdatus undique rupe,
Ipsius asperitate loci Falæsa vocatus,
Normannæ in medio regionis, cujus in altâ
Turres rupe sedent et mÅ"nia; sic ut ad illam
Jactus nemo putet aliquos contingere posse."--
The dungeon of Falaise, one of the proudest relics of Norman antiquity,
is situated on a very bold and lofty rock, broken into fantastic and
singular masses, and covered with luxuriant vegetation. The keep which
towers above it is of excellent masonry: the stones are accurately
squared, and put together with great neatness, and the joints are small;
and the arches are turned clearly and distinctly, with the key-stone or
wedge accurately placed in all of them. Some parts of the wall, towards
the interior ballium, are not built of squared free-stone; but of the
dark stone of the country, disposed in a zigzag, or as it is more
commonly called, in a herring-bone direction, with a great deal of
mortar in the interstices: the buttresses, or rather piers, are of small
projection, but great width. The upper story, destroyed about forty
years since, was of a different style of architecture. According to an
old print, it terminated with a large battlement, and bartizan towers at
the angles. This dungeon was formerly divided into several apartments;
in one of the lower of which was found, about half a century ago, a very
ancient tomb, of good workmanship, ornamented with a sphynx at each end,
but bearing no inscription whatever. Common report ascribed the coffin
to Talbot, who was for many years governor of the castle; and at length
an individual engraved upon it an epitaph to his honor; but the fraud
was discovered, and the sarcophagus put aside, as of no account. The
second, or principal, story of the keep, now forms a single square room,
about fifty feet wide, lighted by circular-headed windows, each divided
into two by a short and massy central pillar, whose capital is
altogether Norman. On one of the capitals is sculptured a child leading
a lamb, a representation, as it is foolishly said, of the Conqueror,
whom tradition alleges to have been born in the apartment to which this
window belonged: another pillar has an elegant capital, composed of
interlaced bands.
Public-domain text, read in full here on John Shaqi.
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