Account of a Tour in Normandy, Volume 2Turner, Dawson
History
Account of a Tour in Normandy, Volume 2
Turner, Dawson
Architecture -- France -- Normandy; Normandy (France) -- Antiquities; Normandy (France) -- Description and travel
The church of Douvre, the next village, is rather a picturesque
building. The upper story of the tower has two pointed windows of the
earliest date. A pediment between them rests on the archivolt on either
side. This is frequently seen in buildings in the circular style. The
other stories of the tower, and the west front of the church are Norman;
the east end is in ruins. The British name of the village may afford
ground for much ethnigraphical and etymological speculation.
Saint Exuperius is said to have founded the Chapel of La Délivrande,
some time in the first century. The tradition adds, that the chapel was
ruined by the Northmen,--and the statue of the Virgin, which now
commands the veneration of the faithful, remained buried until the
appointed time of resuscitation, in the reign of Henry Ist, when it was
discovered, in conformity to established usage and precedent in most
cases of miraculous images, by a lamb. Baldwin, Count of the Bessin and
Baron of Douvre, was owner of the flock to which the lamb belonged. The
Virgin would not remain in the parish church of Douvre, in which she was
lodged by the Baron, but she returned every night to the spot where she
was disinterred. Baldwin therefore understood that it was his duty to
erect a chapel for her reception, and he accordingly built that which is
now standing, and made a donation of the edifice to the Bishop of
Bayeux, whose successor receives the mass-pennies and oblations at this
very day. Some idea of the architecture of the building may be formed
from the inclosed sketch of the western front. During the morning mass,
the chapel was crowded with women, young and old, who were singing the
litany of the Virgin in a low and plantive tone. A hymn of praise was
also chaunted. It was composed by the learned Bishop Huet, and it is
inscribed upon a black marble tablet, which was placed in the chapel by
his direction. The country women of the Saxon shore possess a very
peculiar physiognomy, denoting that the race is unmixed. The
Norman-Saxon damsel is full and well made, her complexion is very fair,
she has light hair, long eyelashes, and tranquil placid features; her
countenance has an air of sullen pouting tenderness, such as we often
find in the women represented in the sculptures and paintings of the
middle ages. And all the girls are so much alike, that it might have
been supposed that they all were sisters. As to our Lady, she is gaily
attired in a Cashemire shawl, and completely covered with glaring amber
necklaces and beads, and ribband knots, and artificial flowers. Many
votive offerings are affixed round her shrine. The pilgrim is
particularly desired to notice a pair of crutches, which testify the
cure of their former owner, who lately hobbled to the Virgin from
Falaise, as a helpless cripple, and who quitted her in perfect health.
Of course the Virgin has operated all the usual standard miracles,
including one which may be suspected to be rather a work of
Public-domain text, read in full here on John Shaqi.
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