At the extremity of the north transept is an ancient stone sarcophagus, so built into the wall, that it appears to have been incorporated with the edifice, at the period when it was raised. The style of the medallions which adorn it will be best understood by consulting the annexed sketch, which is very faithful, though taken under every possible disadvantage. The transept is now used as a school; and the little filthy imps, who are there taught to drawl out their catechisms, continued swarming round the feverish artist, during the progress of the drawing. The character of the heads, the crowns, and the disposition of the foliage, may be considered as indicating that it is a production, at least of the Carlovingian period, if it be not indeed of earlier date. I believe it is traditionally supposed to have been the tomb of a saint, perhaps St. Candidus; but I am not quite certain whether I am accurate in the recollection of the name.--Above are two armed statues, probably of the twelfth or thirteenth centuries. These have been engraved by Willemin, in his useful work, _Les Monumens Français_, under the title of _Two Armed Warriors, in the Nave of the Cathedral at Lisieux_; and both are there figured as if in all respects perfect, and with a great many details which do not exist, and never could have existed, though at the same time the draftsman has omitted the animals at the feet of the statues, one of which is yet nearly entire.--This may be reckoned among the innumerable proofs of the disregard of accuracy which pervades the works of French antiquaries. A French designer never scruples to sacrifice accuracy to what he considers effect.--Willemin describes the monuments as being in the nave of the church. I suspect that he has availed himself of the unpublished collection of Gaignat, in this and many other instances. It is evident that originally the statues were recumbent; but I cannot ascertain when they changed their position.--No other tombs now exist in the cathedral: the brazen monument raised to Hannuier, an Englishman, the marble that commemorated the bishop, William d'Estouteville, founder of the _Collège de Lisieux_ at Paris, that of Peter Cauchon in the Lady-Chapel, and all the rest, were destroyed during the revolution.