People see and perform in the Rue Benouville pieces that could not
be played or shown elsewhere; for here the audience and the actors
are all people of the same education, the same surroundings, who know
each other.
The doors have been more widely opened than they formerly were. But
they are still closely guarded, the members of the society intend to
amuse themselves as they please in their own circle, and to exclude
anything that offends them.
For instance, you will not find either at the rehearsals or at the
performances in the Rue Benouville in the boxes or behind the scenes,
the shadow of a professional actor. [p330]
[Illustration]
The door is closed against theatrical men.
What! even “Chose” and “Machin?” [p331]
Even for them.
The “cross” and the banner are both useless. _Monsieur le Sociétaire_
has vainly tried to force a door which is half open for the
_banquistes_ . . . . .
A voice has cried to him from the trapeze, “We are very sorry, sir!
But we have retained the prejudices of the comedians.”
[Illustration]
FOOTNOTES:
[14] Baron DE VAUX, _Les Hommes de Cheval_.
[15] Baron DE VAUX, _Les Hommes de Cheval_.
[16] JULES LEMAÎTRE, _Révoltée_, Act I., Sc. 3.
INDEX.
A
AGOUST, 34, 224, 293, 294, 295, 296
AGRENIEFF (d’), 200
ALLARD, 86
ALLEN, 20
ALPHONSE, 265–269
ALPHONSINE (Lady), 212
ANCIOU (Miss), 8
ARABELLE, 74
ARCHIMEDES, 113
ARQUEVILLIERS (d’), 320
ARTHUS, 325
_Artist_ (_der_), 7, 8
ASCO (Léa d’), 325
AURIOL, 13, 15, 246
B
BAILEY (J. A.), 17
BANVILLE (de), 3, 296
BARLOW, 20
BARNUM (P. T.), 10, 16–20, 261, 305
BAYARD (Émile), 100
BECKER (Jeanne), 325
BERBERIE, 172, 193
BERMONT, 81, 84, 85, 86
BERTINI (Suzanne), 74
BERTRAND, 86
BIDEL (François), 26, 27, 130, 143–146, 153–157
BIÉVILLE (Berthe), 74
BLANCHE (Ada), 215
BLONDIN, 216, 217
BONE (Colonel), 146
BONHEUR (Rosa), 144
BONNEFOIS (Melchior), 74, 76
BONNETTY, 127–131
BOULMIERS, 85
BRETONNIÈRE (Guy de la), ix
BRIOCHÉ, 86
BUCQUET, ix
BUFFALO-BILL, 10, 204–206
BUFFON (de), 126
BURGESS, 282
C
CALLIAS, 64
CARRABILLIAT, 42
CARVER (Dr.), 15
CEPHISSODOTE, 77
CHABLE, 41, 42
CHADWICK, 28
CHAM, 216, 217
CHAMPSAUR, 326–329
CHELLI (Emilio), 233
CHELLI (Erminia), 60, 232–240
CHUNG, 124–126
CLADEL (Léon), 140, 141
CLAM, 91, 92–96
COCHERIE, 89, 91
CODY (W. F.), 206
COQUELIN aîné, 91
COQUELIN cadet, 120
CORRADINI, 122
CORSO, 193
CORVI, 26, 117, 118, 120
COURTAY, 320
COUTURE, 118, 320
CRAFFTY, 325
CRAGGS, 300–305
D
DACIER (Mme), 195, 196
DARYL (Philippe), 160
DARWIN, 117
DEBURAU, 294
DELILLE, 23, 96, 100
DESODER, 327
DETAILLE (Edouard), 152
DOMINIQUE, 86
DUDLAY (Marguerite), 169–172
DALSÈME, vii
E
ELIJAH (Prophet), 106
ELLEVANTIÉMIE, 23
_Era_ (_The_), 4, 5, 6, 8, 253
ESEUDIER, vi
EXALTIER, 41
F
FATMA, 72
FOOTEET, 286
FORSBERG (Nils), 242
FRANÇOIS, (Monsieur), 60, 61, 62, 71
FRANCONI (Chs.), 168, 169
Public-domain text, read in full here on John Shaqi.
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