Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Mrs. Vere was a woman who, in point of fact, was by no means incapable
of deep duplicity, but in the present instance she had been guilty only
of stating as facts what Mrs. Welford had told her more in the form of
conjectures. She had happened to meet Somers at this friend’s house
one evening, and had introduced the topic of Miss Trevennon, adroitly
plying the young man with questions, and had satisfied herself that he
was certainly in love with and probably engaged to her. On this basis
she and Mrs. Welford had constructed the story which she told with such
confidence to Gaston.
As for Louis, he made but little headway with his estimates and
prospecting that morning. His first impulse had been to disbelieve
this story, and the remembrance of Margaret’s looks and tones as he
had talked with her last night made it seem almost incredible. But
then, as he looked back into the past, he recalled the incident of
the pressed flower, and the emotion Margaret had shown on hearing Mr.
Somers sing that Christmas night, and the long interview that followed
next morning, and, more than all, the traces of tears he had afterward
detected; and, as he thought of all these things, his heart grew very
heavy.
He soon resolved that he would go at once to Margaret, and learn the
truth from her own lips.
When he reached the house, he found Thomas engaged in polishing the
brasses of the front door, which stood partly open. Being informed
by him that Miss Trevennon was in the drawing-room alone, he stepped
softly over the carpeted hall and entered the library. From there he
could see Margaret, seated on a low ottoman before the fire, her hands
clasped around her knees, and her eyes fixed meditatively upon the
glowing coals. How his young blood leaped at the sight of her! How
lovely and gentle she looked! Was she not the very joy of his heart,
and delight of his eyes? Where was another like her?
Public-domain text, read in full here on John Shaqi.
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