England -- Social life and customs -- 20th century -- Fiction; Spiritualism -- Fiction
This picture, so simply and pathetically conveyed by Helena of herself
waiting, a little dim-eyed, for Jessie to admit her, was very
convincing, and Archie wondered at the contrast between the two sisters,
the one so childlike in her confidence that all the world was her
friend, the other holding herself rather detached, rather aloof, without
that welcoming charm of manner that surely was the expression of an
adorable mind. It was not wholly the light of his dawning love that
invested the sketch with such tender colouring, for there was a great
finish and consistency in Helena's presentation of herself which might
have deceived the most neutral and heart-whole of observers.
Such was the first impression: then suddenly some instinct that lay
below the surface surged up in rebellion against it, and washed the
tender colouring out. It told him that the impression was a false one,
that Jessie, so far from being callous and self-centred, as was the
suggestion conveyed by Helena's words, was of faithful and golden heart.
And then, looking idly over the crowd that was growing thick on the
broad gravel walk, he suddenly caught sight of Jessie herself looking at
them. She was some little distance behind the rails that separated the
ride from the path, and she instantly looked away, spoke to a girl who
was with her, and strolled on. But Archie felt quite sure that she had
seen them.
He turned to Helena.
"Surely that is Jessie," he said to her, pointing with his whip.
Helena had seen her also, and she smiled rather sadly, rather wistfully.
"Yes," she said. "But she doesn't want us, Archie."
And at that the instinct which had spoken to him so emphatically a
moment before sank out of hearing again, and the colour returned to
Helena's deft little sketch.
CHAPTER VIII
Public-domain text, read in full here on John Shaqi.
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