England -- Social life and customs -- 20th century -- Fiction; Spiritualism -- Fiction
It was thus that he stated to himself the message that Martin seemed to
have brought him last night, and, stated thus, it was a spiritual
aspiration of high endeavour, and it did not occur to him how, stated
ever so little differently, and yet following the lines of the
communication, it assumed a diabolical aspect. The love which he had for
Helena was a carnal love, that sprang from desire for her enchanting
prettiness; that love he was to cling to, not sacrifice an iota of it.
The hate that he felt for her, arising from her falseness, her
encouragement of him for just so long as she was uncertain whether she
could capture a man who was nothing to her, but whose position and
wealth she coveted, Archie was to transform into indifference; he was to
get over it. But, though it was hate, it had a spiritual quality, for it
was hatred of what was mean and base, whereas his love for her had no
spiritual quality: it was no more than lust, and to that under the name
of love he was to cling... Here, then, was another interpretation of the
words he had heard last night, and, according to it, it would have been
fitter to attribute the message to some intelligence far other than the
innocent soul of the brother who had so mysteriously communicated with
him in childlike ways. But that interpretation (and here was the
subtlety of it) never entered Archie's head at all. A message of
apparent consolation and hope had come to him when he was feeling the
full blast of his bitterness, the wind that blew from the empty desert
of his heart and his stagnant brain. He had called for help from the
everlasting and unseen Cosmos that encompasses the little blind
half-world of material existence, and from it, somewhere from it, a
light had shone into his dark soul, no mere flicker, or so it seemed
this morning, like that spurious sunshine which he and his father basked
in together, but rays from a more potent luminary.
Public-domain text, read in full here on John Shaqi.
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