England -- Social life and customs -- 20th century -- Fiction; Spiritualism -- Fiction
His pleasure in the fact of being alive, in the colours of morning and
evening, in the touch of cool waters, in the whispering of wind among
the firs, were quickened to an inconceivable degree; it was impossible
to want anything except the privilege of enjoying this amazing thrill of
existence. And with it there had returned to him the need of expressing
himself in writing; a new aspect of the world had been revealed to him,
and without struggle, but with an even-flowing pen he set himself to
record it, in veiled phrases and descriptions through which, as in
chinks of light seen at the edges of drawn blinds, there came hints and
suggestions of the fresh world that had dawned on him. Where before it
was the clear stainlessness of the sea, the purifying breath of great
winds that had been his theme, now instead the satyr crouched in the
bushes, the snake lay coiled in the heather. It was from the slime and
mud and from among blind crawling things that the water-lily sprang, and
where before the enchantment of life moved him, he felt now only the
call of putrefaction and decay. The lethal side of the created world had
become exquisite in his eyes, and the beauty of it was derived from its
everlasting corruption, not from the eternal upspringing of life. Lust,
not love, was the force that kept it young, and renewed it so that the
harvest of its decay should never ceased to be reaped. His mind had
become a mirror that distorted into grotesque and evil shapes every
image of beauty that was reflected in it, and rejoiced in them; it
seemed to him that all nature, as well as all human motive, was based
upon this exquisite secret that he had discovered. But it would never do
to state it with what he considered the bald realism of those ludicrous
sea-pieces he had written at Silorno; he must wrap his message up in a
sort of mystic subtlety so that only those who had implanted in them the
true instinct should be able to fill their souls with the perfume of his
flowers. Others might guess and wonder and be puzzled, and perhaps see
so far as to put down his book with disgust that was still half
incredulous; but only the initiated would be able to grasp wholly the
message that lurked in his hints and allusions. His style, underneath
this new inspiration, had developed into an instrument of marvellous
beauty, and often, when he had written a page or two, he would read it
out aloud to himself, in wonder at that exquisite diction, and all the
time he felt that he was reading aloud to Martin, and that Martin had
dictated to him.
Public-domain text, read in full here on John Shaqi.
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