English fiction -- 20th century; English poetry; Short stories, English
“Far from it, I assure you. I can meet you next Saturday afternoon
anywhere in London you choose to name, and I'll be only too happy to
motor you down. It ought to be a delightful run at this time of year--the
rhododendrons will be out. I mean it. You don't know how truly I mean
it. Very probably--it won't affect you at all. And--I think I may say I
have the finest collection of narwhal tusks in the world. All the best
skins and horns have to go through London, and L. Maxwell M'Leod, he
knows where they come from, and where they go to. That's his business.”
For the rest of the voyage up-channel Mr. M'Leod talked to me of the
assembling, preparation, and sale of the rarer furs; and told me things
about the manufacture of fur-lined coats which quite shocked me. Somehow
or other, when we landed on Wednesday, I found myself pledged to spend
that week-end with him at Holmescroft.
On Saturday he met me with a well-groomed motor, and ran me out, in an
hour and a half, to an exclusive residential district of dustless roads
and elegantly designed country villas, each standing in from three to
five acres of perfectly appointed land. He told me land was selling at
eight hundred pounds the acre, and the new golf links, whose Queen
Anne pavilion we passed, had cost nearly twenty-four thousand pounds to
create.
Holmescroft was a large, two-storied, low, creeper-covered residence.
A verandah at the south side gave on to a garden and two tennis courts,
separated by a tasteful iron fence from a most park-like meadow of five
or six acres, where two Jersey cows grazed. Tea was ready in the shade
of a promising copper beech, and I could see groups on the lawn of
young men and maidens appropriately clothed, playing lawn tennis in the
sunshine.
“A pretty scene, ain't it?” said Mr. M'Leod. “My good lady's sitting
under the tree, and that's my little girl in pink on the far court. But
I'll take you to your room, and you can see 'em all later.”
He led me through a wide parquet-floored hall furnished in pale lemon,
with huge Cloisonnée vases, an ebonized and gold grand piano, and banks
of pot flowers in Benares brass bowls, up a pale oak staircase to a
spacious landing, where there was a green velvet settee trimmed with
silver. The blinds were down, and the light lay in parallel lines on the
floors.
He showed me my room, saying cheerfully: “You may be a little tired. One
often is without knowing it after a run through traffic. Don't come down
till you feel quite restored. We shall all be in the garden.”
Public-domain text, read in full here on John Shaqi.
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