English fiction -- 20th century; English poetry; Short stories, English
“Give him time. He's balancing the probabilities,” said Lord Lundie.
The three closed round the monkey,--hanging on his every motion with
an earnestness almost equal to ours. The great judge's head--seamed and
vertical forehead, iron mouth, and pike-like under-jaw, all set on that
thick neck rising out of the white flannelled collar--was thrown against
the puckered green silk of the organ-front as it might have been a cameo
of Titus. Jimmy, with raised eyes and parted lips, fingered his grizzled
chestnut beard, and I was near enough to note, the capable beauty of his
hands. Sir Christopher stood a little apart, his arms folded behind his
back, one heavy brown boot thrust forward, chin in as curbed, and black
eyebrows lowered to shade the keen eyes.
Giuseppe's dark face between flashing earrings, a twisted rag of red and
yellow silk round his throat, turned from the reaching yearning monkey
to the pink and white biscuits spiked on the bronzed leafage. And upon
them all fell the serious and workmanlike sun of an English summer
forenoon.
“Fils de Saint Louis, montez au ciel!” said Lord Lundie suddenly in a
voice that made me think of Black Caps. I do not know what the
monkey thought, because at that instant he leaped off the organ and
disappeared.
There was a clash of broken glass behind the tree.
The monkey's face, distorted with passion, appeared at an upper window
of the house, and a starred hole in the stained-glass window to the left
of 'the front door showed the first steps of his upward path.
“We've got to catch him,” cried Sir Christopher. “Come along!”
They pushed at the door, which was unlocked.
“Yes. But consider the ethics of the case,” said Jimmy. “Isn't this
burglary or something, Bubbles?”
“Settle that when he's caught,” said Sir Christopher. “We're responsible
for the beast.”
A furious clanging of bells broke out of the empty house, followed by
muffed gurglings and trumpetings.
“What the deuce is that?” I asked, half aloud.
“The plumbing, of course,” said Penfentenyou. “What a pity! I believe
he'd have climbed if Lord Lundie hadn't put him off!”
“Wait a moment, Chris,” said Jimmy the interpreter; “Guiseppe says he
may answer to the music of his infancy. Giuseppe, therefore, will go
in with the organ. Orpheus with his lute, you know. Avante, Orpheus!
There's no Neapolitan for bathroom, but I fancy your friend is there.”
“I'm not going into another man's house with a hurdy-gurdy,” said Lord
Lundie, recoiling, as Giuseppe unshipped the working mechanism of the
organ (it developed a hang-down leg) from its wheels, slipped a strap
round his shoulders, and gave the handle a twist.
“Don't be a cad, Bubbles,” was Jimmy's answer. “You couldn't leave us
now if you were on the Woolsack. Play, Orpheus! The Cadi accompanies.”
* * * * * * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account