Coleman took the dilemma by its beard. He
dismounted from his horse into the depths of the crowd
and addressed the Wainwrights. " I suppose we had
better go into this place and have some coffee while
the men feed their horses. There is no use in trying
to make them go on." His manner was fairly
casual, but they looked at him in glazed horror. " It
is the only thing to do. This crowd is not nearly so
bad as they think they are. But we've got to look as
if we felt confident." He himself had no confidence
with this angry buzz in his ears, but be felt certain
that the only correct move was to get everybody as
quickly as possible within the shelter of the inn. It
might not be much of a shelter for them, but it was
better than the carriages in the street.
The professor and Mrs. Wainwright seemed to be
considering their carriage as a castle, and they looked
as if their terror had made them physically incapable
of leaving it. Coleman stood waiting. Behind him
the clapper-tongued crowd was moving ominously.
Marjory arose and stepped calmly down to him.
He thrilled to the end of every nerve. It was as if
she had said: " I don't think there is great danger,
but if there is great danger, why * * here I am *
ready * with you." It conceded everything,
admitted everything. It was a surrender without a
blush, and it was only possible in the shadow of the
crisis when they did not know what the next
moments might contain for them. As he took her
hand and she stepped past him he whispered swiftly
and fiercely in her ear, " I love you." She did not
look up, but he felt that in this quick incident they
had claimed each other, accepted each other with a
far deeper meaning and understanding than could be
possible in a mere drawing-room. She laid her hand
on his arm, and with the strength of four men he
twisted his horse into the making of furious prancing
side-steps toward the door of the inn, clanking side-
steps which mowed a wide lane through the crowd for
Marjory, his Marjory. He was as haughty as a new
German lieutenant, and although he held the fuming
horse with only his left hand, he seemed perfectly
capable of hurling the animal over a house without
calling into service the arm which was devoted to
Marjory.
It was not an exhibition of coolness such as wins
applause on the stage when the hero placidly lights a
cigarette before the mob which is clamouring for his
death. It was, on the contrary, an exhibition of
downright classic disdain, a disdain which with the
highest arrogance declared itself in every glance of his
eye into the faces about him. " Very good * *
attack me if you like * * there is nothing to prevent
it * * you mongrels." Every step of his progress
was made a renewed insult to them. The very air
was charged with what this lone man was thinking
of this threatening crowd.
Public-domain text, read in full here on John Shaqi.
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