But Mrs. Wainwright was not to be deterred from an exciting espousal of the cause of her sex. Upon the instant that the professor strenuously opposed her she becamean apostle, an enlightened, uplifted apostle to the world on the wrongs of her sex. She had come down with this thing as if it were a disease. Nothing could stop her. Her husband, her daughter, all influences in other directions, had been overturned with a roar, and the first thing fully clear to the professor's mind had been that his wife was riding affably in the carriage with Nora Black. Coleman aroused when he heard one of the students cry out: " Why, there is Rufus Coleman's dragoman. He must be here." A moment later they thronged upon him. " Hi, old man, caught you again! Where did you break to? Glad to catch you, old boy. How are you making it? Where's your horse?" " Sent the horses on to, Athens," said Coleman. He had not yet recovered his composure, and he was glad to find available this commonplace return to their exuberant greetings and questions. " Sent them on to Athens with the groom." In the mean time the engine of the little train was screaming to heaven that its intention of starting was most serious. The diligencia careered to the station platform and unburdened. Coleman had had his dragoman place his luggage in a little first-class carriage and he defiantly entered it and closed the door. He had a sudden return to the old sense of downfall, and with it came the original rebellious desires. However, he hoped that somebody would intrude upon him. It was Peter Tounley. The student flung open the door and then yelled to the distance : " Here's an empty one." He clattered into the compartment. " Hello, Coleman! Didn't know you were in here! " At his heels came Nora Black, Coke and Marjory. " Oh! " they said, when they saw the occupant of the carriage. " Oh ! " Coleman was furious. He could have distributed some of his traps in a way to create more room, but he did not move. CHAPTER XXIV. THERE was a demonstration of the unequalled facilities of a European railway carriage for rendering unpleasant things almost intolerable. These people could find no way to alleviate the poignancy of their position. Coleman did not know where to look. Every personal mannerism becomes accentuated in a European railway carriage. If you glance at a man, your glance defines itself as a stare. If you carefully look at nothing, you create for yourself a resemblance to all wooden-headed things. A newspaper is, then, in the nature of a preservative, and Coleman longed for a newspaper.