They moved together out to the balcony, but Nora
retreated with a little cry when she felt the coldness of the
night. She said that she would get a cloak. Coleman was
not unlike a man in a dream. He walked to the rail of the
balcony where a great vine climbed toward the roof. He
noted that it was dotted with. blossoms, which in the deep
purple of the Oriental night were coloured in strange
shades of maroon. This truth penetrated his abstraction
until when Nora came she found him staring at them as if
their colour was a revelation which affected him vitally.
She moved to his side without sound and he first knew of
her presence from the damning fragrance. She spoke just
above her breath. "It's a beautiful evening."
" Yes," he answered. She was at his shoulder. If he
moved two inches he must come in contact. They
remained in silence leaning upon the rail.
Finally he began to mutter some commonplaces which
meant nothing particularly, but into his tone as he mouthed
them was the note of a forlorn and passionate lover. Then
as if by accident he traversed the two inches and his
shoulder was against the soft and yet firm shoulder of
Nora Black. There was something in his throat at this
time which changed his voice into a mere choking noise.
She did not move. He could see her eyes glowing
innocently out of the pallour which the darkness gave to
her face. If he was touching her, she did not seem to
know it.
"I am awfully tired," said Coleman, thickly. "I think I
will go home and turn in."
" You must be, poor boy," said Nora tenderly.
"Wouldn't you like a little more of that champagne?"
" Well, I don't mind another glass."
She left him again and his galloping thought pounded to
the old refrain. " To go to the devil-to go to the devil-to go
to the devil with this girl is not a bad fate-not a bad fate-
not a bad fate." When she returned he drank his glass of
champagne. Then he mumbled: " You must be cold. Let
me put your cape around you better. It won't do to catch
cold here, you know."
She made a sweet pretence of rendering herself to his
care. " Oh, thanks * * * I am not really cold * * * There
that's better."
Public-domain text, read in full here on John Shaqi.
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