Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“Delightful!” said the lady. “But the words were a message from the Old
Smithy!”
“The old who?” exclaimed Lord Brereton, with a shrug.
“The Old Smithy. I cannot pretend to know what it means.”
“Frightful!” exclaimed Lady Brereton.
Learmont tried to smile, but the distortion of his features looked as
if occasioned by some acute pain rather than any sensation approaching
to the mirthful.
“It was most absurd,” he said, “and might make one angry, but that it
is too laughable.”
As he spoke a voice behind him said in a tone of trembling
apprehension,—
“And it please your honour—he—he—”
Learmont positively gasped, and clutched the back of a chair for
support, as he turned and faced another servant, the former one being
afraid to venture into the presence of his fiery master again.
“W—what now?” he said.
“He won’t go, an it please your honour.”
“Won’t go?” echoed Learmont, in such a confusion of mind that he
scarcely knew what he said, and the servant, emboldened by the apparent
placidity of his master, added,—
“No, your honour, and he says he won’t wait either.”
“Thrust him from my door,” shrieked Learmont; “kill him—no—no—tell him
to come to-morrow—yes, to-morrow.”
Learmont’s noble guests looked at each other in mute surprise. The
voice in which Learmont had spoken was loud and strange, and attracted
all eyes to the spot on which he stood. A glance around the ball-room
at once showed him that he was the observed of all, and he felt the
necessity of controlling his passion.
“The dance, the dance,” he cried; “the most precious hours of gladness
and joy. The dance! The dance!”
These words were scarcely spoken, when his attention was arrested by an
unusual commotion at the further end of the saloon, accompanied by
cries, the trampling of feet, and a few oaths, which sounded strangely
in that gaudy scene.
Learmont’s heart sunk within him, and at that moment he suffered a pang
greater than any he had ever power to inflict, as the conviction came
across his mind that Britton was forcing his way into the ball-room,
despite of every obstacle.
This was an event which could not have happened under ordinary
circumstances, but the whole of Learmont’s household were aware that
the strange man who came with the message from the Old Smithy had some
sort of power over their master and their ignorance of its extent,
paralysed their exertions in opposing his entrance to the ball-room,
although had they felt themselves free to act, he would never have
reached beyond the hall of the mansion.
Thus it was that the proud, wealthy, and haughty Learmont, surrounded
by troops of servants, and evidently exercising the most despotic sway
over them appeared to his assembled guests in the curious and anomalous
position of being unable to keep a drunken brawler from the very
penetralia of his mansion.
Public-domain text, read in full here on John Shaqi.
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