Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“Well, Squire Learmont,” replied the ruffian, endeavouring to stand
steadily the fixed gaze of the other.
“For your own life’s sake go away from here—you are drunk, and know not
what you do.”
“Drunk, am I? Well, there’s many a better man been drunk before to-day!”
“What do you want?”
“Ten—ten—guineas and—a (hiccup) dance; I tell you what it is—it’s
infernally unfriendly of you not to invite me. You know I’m a gentleman
now. Never—never—never—to show me—your nobles—curse me if I—stand it.
In—introduce me to the rest of the gentlefolks, can’t you, and be d—d
to you. I—I ain’t such a sneak as that cursed Jacob Gray. No—no, I’m a
gentleman every—every inch a gentleman. Hurrah! Hurrah!”
“Are you mad?” said Learmont.
To his agony the squire now observed that, impelled by curiosity, his
guests were slowly creeping closer around him and the savage smith. He
raised his voice suddenly and cried—
“My noble and honoured guests, this is a poor mad fellow, who from
motives of charity, I support. I do not like to commit violence on one
so afflicted by Heaven. Here, take this purse and go.”
“Oh, yes,” hiccupped Britton; “that’s all very well as regards the
purse, but I don’t mean to go yet. I’ll have a dance. Let me see—I’ve
got something to say to you, squire.”
“Another time,” cried Learmont.
“No—no—time like the present. Life is so very un—uncertain. I tell you
what—you—you recollect that infernal Frank Hartleton?”
“Mad,—mad—quite mad,” said Learmont, striving to stop the smith.
“Beware,” said Britton, with drunken solemnity. “I say beware. He’s on
the look-out—curse him—and that infernal mad woman too—curse her! They
want to hang us—curse all the world. Beware, I say, that’s all—never
mind me, ladies and gentlemen—I’m a gentleman—I live on my means—I’m
King Britton, and hope to see you all at the Chequers. Thank you ma’am.”
This last observation was addressed to the Honourable Georgiana
Brereton, who having given her head a toss of disdain upon meeting the
anxious eye of the confounded Learmont, imparted such a nodding
reaction for some seconds to her feathers that the intoxicated smith
took it as a complimentary acknowledgment of his invitation to the
Chequers.
Some of the guests now began to laugh, and others to complain to each
other in no very measured terms of the intrusion among them, of so very
questionable a character as the smith appeared to be; while several,
among whom were the Brereton family, made a move to depart, fearful how
the singular scene would end.
Public-domain text, read in full here on John Shaqi.
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