Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
The dim, cold, uncertain light of morning was faintly gleaming in long
sickly streaks in the eastern sky, and the trembling, half-maddened
Jacob Gray crawled to the window of his room, and hastily tearing down
some paper that patched a broken pane of glass, he placed his scorched
and dry lips against the opening, and drank in the cool morning’s air
as one who had crossed a desert would quaff from the first spring he
met after the horrors and thirst of the wilderness.
On his knees the wretched man remained for some time, until the mad
fever of his blood subsided, and calmer reflection came to his aid.
“I cannot sleep,” he said, “I cannot sleep—’tis madness to attempt it;
my waking thoughts are bad enough, but when reason sleeps, and the
imagination, unshackled by probability commences its reign, then all
the wildest fancies become realities and I live in a world of horrors,
such as the damned alone can endure, endurance must constitute a
portion of their suffering, for if they felt so acutely as to decrease
sensation, they would be happy. Alas! What can I do, I must rest
sometimes. Exhausted nature will not be defrauded of her rights; but
while the body rests, the mind seems to take a flight to hell! Oh,
horrible! Horrible! I—I—wonder if Ada be awake—methinks now the sound
of a human voice would be music to my ears, I will creep to her chamber
door, and speak to her the slightest word in answer will be a blessing.
Yes, I will go—I will go.” Jacob Gray then, with a slow and stealthy
step, left his chamber, and as he glided along the dim corridor of that
ancient house, he might, with his haggard looks and straining eyes,
have well been taken for the perturbed spirit that popular superstition
said had been seen about the ill-omened residence of crime and death.
He reached Ada’s door, and after a pause, he knocked nervously and
timidly upon the panel. There was no answer, Ada slept—she was dreaming
of happiness, of joy, that brought pearly tears to her eyes—those eyes
that are the blissful overflowings of a heart too full of grateful
feeling. Again Jacob Gray knocked, and he cried “Ada!” in a voice that
was too low and tremulous to reach the ears of the sleeping girl, but
which startled Gray himself by the hollow echoes it awakened in the
silence of the gloomy house.
Again he knocked, and this time Ada started from her sleep—Gray heard
the slight movement of the girl.
“Ada!” he said, “Ada, speak!”
“Jacob Gray!” said Ada.
“Ada—I—I am going forth—speak Ada, again.”
“Wherefore am I summoned thus early?” said Ada—“what has happened?”
“Nothing, nothing!” replied Gray. “Be cautious, Ada; I shall not return
till night.”
He waited several minutes, but Ada made no reply. Then he crept slowly
from the door muttering,—
Public-domain text, read in full here on John Shaqi.
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