Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
A sensation of awful thirst now came over Gray—such thirst as he had
read of only as being endured by adventurous travellers in crossing
hundreds of miles of sandy desert. His tongue seemed to cleave to the
roof of his mouth, and his parched lips were like fire to his touch.
Still he clutched by the ladder, and each slight noise that met his
overstrained attention added fearfully to the pangs of apprehension
that tortured him thus physically and mentally.
He could hear the sound of heavy footsteps through the house, and
occasionally the low murmur of voices came upon his ears, although he
could not detect what was said. That they would, however, come to the
room from which he was only separated by a thin piece of wainscotting
he knew; and if his dread and agitation were great now, he thought with
a shudder what would be his feelings when each moment might produce his
discovery and capture.
Then he strained his ear to listen if he could hear Ada moaning, and a
low stifled sigh ascended from the gloomy vault.
“Yes, yes,” he thought. “She will be still—she will be still. The fear
of a sudden and violent death is upon her young heart. ’Tis well, ’tis
very well, now she thinks me the unscrupulous man—the—the murderer that
she taunts me with being. She—she does not suspect that if I were
taken, my only hope of mercy would be in having preserved her life—and,
and my only plea would be that not a hair of her head was injured. No,
no, she guesses not the value of her life. I—I have been cunning, very,
very cunning. Besides, if they find me, what evidence—”
Jacob Gray very nearly uttered a cry of terror as this thought passed
through his mind, for he immediately then recollected his own written
confession that he had in the breast pocket of his coat, and which, if
he were taken, would be his destruction.
He struck his forehead with his clenched hand, and uttered a deep
groan. What means had he there, situated as he was, of destroying the
damning evidence of a guilt which otherwise would only rest on
conjecture and surmise, and from the consequences of which, it not
being distinctly proved, the money and influence of Learmont, exerted
for his own sake, might actually free him. The written confession was
an admirable weapon against Learmont, so long as he, Jacob Gray, had
the control of it, and lived; but now, when there was a fearful chance
of his own apprehension, it was at once converted into a fearful weapon
against himself, and a damning evidence of his guilt.
For some moments he was incapable of anything resembling rational
thought, and his reason seemed tottering to its base. This state of
mind, however, passed away, and how to destroy his confession became
the one great question that agitated and occupied his throbbing and
intensely labouring brain.
Public-domain text, read in full here on John Shaqi.
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