Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
This did not convey a great deal of information to Jacob Gray, and he
waited very anxiously to hear what further remarks concerning his
thoughts and objects in this world might fall from the speaker who had
so cavalierly and off handedly settled his destination in the next. Nor
was he disappointed, for Mr. Elias, having no one to talk to, addressed
himself, in the following strains:—
“Well, here’s a precious old crib to be shut up in. Upon my soul, it’s
too bad of the governor. And no dinner—not a drop of nothing, no how
what so ever. How would he like it, I wonder? Why, not at all, to be
sure. The fifty pounds is something—but it’s all moonshine if the
fellow don’t come, or that ere gal as he talks on, as may make her
blessed appearance in a masculine sort o’ way. Well, I only hopes she
may, that’s all. Won’t I give that Stephy a precious nob on his
cocoa-nut, if he makes it very late afore he comes? Curse this place,
it’s as dull as a sermon, and about as pleasant and lively-looking as
mud in a wine-glass. I don’t like these kind of goes at all. Give me
fun, and a hunt after such a rollicking, slashing blade as Jack
Sheppard. Ah, he’s the fellow for my money. I love that blade. He’s got
a voice, too, like a flock o’ nightingales, that he has. Shall I ever
hear him sing that song again as I learnt of him by listening to him in
quod, and all the while as I was taken up with the tune, he was a
filing away at his darbies, bless him! Oh, he’s a rum un!”
Elias then delighted himself and astonished Jacob Gray, by singing the
following song; which was in great vogue at the time:—
What Knight’s Like the Knight of the Road?
“What knight’s like the knight of the road?
Who lives so well as he?
The proudest duke don’t lead
A life so brave and free.
Heighho! How the maidens sigh,
As he dashes proudly by!
And there’s not a gentle heart of all—
Let weal or woe betide—
That would not leap with dear delight
To be his happy bride.
“The day goes down on Hounslow-heath,
The night wind sighs amain;
Hurrah! Hurrah, for the road!
For now begins his reign.
Heighho! How the ladies cry,
As they see his flashing eye.
And there’s not a pair of cherry lips,
Of high or low degree,
Would scorn a kiss from the knight of the road,
Who’s welcome as he’s free.”
As Mr. Elias, between the stanzas of his song, whistled an
accompaniment, in which there were a great number of shakes, trills,
and what musicians call variations which means something which is not
at all connected with the tune, the whole affair took some considerable
time in execution; and Jacob Gray stood upon the ladder in a perfect
agony of annoyance until it was over.
Public-domain text, read in full here on John Shaqi.
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