Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
Breathing hard from his exertions and the fright he was in, Gray groped
his way along by the damp clammy walls of the passage until he came to
some stairs—he hesitated not a moment, but slowly and cautiously
ascended them.
As he crept stair after stair up the dark flight of steps the sound of
pursuit seemed to come nearer and nearer, and he could hear the hum of
many voices, although he could not distinguish exactly what was said.
Only one word came perpetually as clearly and distinctly to his ears as
if it had been spoken at his side, and that word was murder!
“They—they have found the body,” he gasped. “Yes, they have found the
body now. My life hangs on a thread!”
The cold perspiration of fear rolled down his face, and notwithstanding
his great exertions which would ordinarily have produced an intolerable
sense of heat, he was as cold and chilled as if he had suddenly
awakened from sleep in the open air. His teeth chattered in his head,
and his knees smote each other. He was fain to clutch with both hands
the crazy banisters of the staircase for support, or he must inevitably
have fallen.
“This is dreadful,” he whispered to himself, “to die here. They have
hunted me to death—I—I feel as if a hand of ice was on my heart. This
must be death.”
Slowly the cold sensation wore off, and like the flame of a taper,
which suddenly renews its origin most unexpectedly, when apparently
upon the point of dissolution, Gray gradually revived again, and his
vital energies came back to him.
With a deep sigh he spoke,—
“’Tis past—’tis past. They have not killed me as yet. It was, after
all, but a passing pang. They have not killed me yet.”
Again the cry of murder echoed in the court, and, with a start, Jacob
Gray set his teeth hard, and continued to ascend the dark staircase.
Suddenly, now, he paused, for a sound from above met his ears—it was
some one singing. How strangely the tones jarred upon the excited
senses of Jacob Gray: the sound was low and plaintive, and to him it
seemed a mockery of his awful situation.
He now by two more steps gained the landing, and he was sure that the
singing proceeded from some room on that floor. The voice was a
female’s, and by the softness and exquisite cadences of it evidently
proceeded from some person not far advanced in life.
Gray held by the banisters at the top of the stairs, and for some
minutes he seemed spell-bound, and to forget the precarious situation
in which he stood as those low, soft strains came upon his ear.
The female was evidently singing to a child, for occasionally she would
pause to express some words of endearment to the little one, and then
resume her song.
The few short lines of which the song was composed came fully to Gray,
and there was a something about their very simplicity and innocence
that rooted him to the spot, although they brought agony to his heart:
The Mother’s Choice.
“My babe, if I had offers three,
From gentle heavenly powers,
Public-domain text, read in full here on John Shaqi.
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