Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
When Ada sunk insensible into the arms of a stranger, after denouncing
Jacob Gray as a murderer, she was conveyed into a shop by
Charing-cross, when her rare and singular beauty, and the peculiar
circumstances under which she had fainted, were the themes of every
tongue. Such restoratives as upon the moment could be procured were
immediately brought into requisition, and after a quarter of an hour
she gently opened her eyes with a faint sigh and looked inquiringly
about her.
Then she clasped her hands, and as she gazed upon the throng of
curious, yet compassionate faces that surrounded her, she exclaimed,—
“What has happened? Oh, speak to me; where am I?”
“You have fainted,” cried four or five voices in a breath.
“Fainted—fainted?”
“Yes; I brought you in after you had called after the man as a
murderer,” said the person who had caught Ada before she was brought
into the shop.
For the space of about another minute then the young girl looked
confused; after that a gush of recollections flashed across her mind,
and the feeling that she was really at last free from Jacob Gray, came
across her heart with so much happiness and joy, that covering her
beautiful face with her small slender hands, she burst into tears and
sobbed aloud in her fulness of heart.
Those who stood by seemed to feel that there was something sacred in
the tears of the young thing before them, for they stood silent, and no
one attempted to insult her by the usual commonplace remarks of vulgar
consolation. There were tears in almost every eye, and when Ada
withdrew her hands from her face, and a smile, beautiful as a sunbeam
after an April shower, illumined her expressive countenance, it seemed
as if some universal joy had been awakened in every breast, and
murmured blessings upon her beauty, burst from several of the persons
who had crowded, from motives of curiosity, into the shop.
Then Ada looked from face to face, and oh, how different were those
honest sympathising countenances to the dark ever shifting expression
of the lineaments of Jacob Gray, where avarice, cruelty, and fear were
ever struggling together for a mastery.
“Thank you all—thank you all,” she cried; “I am very happy now.”
This was not a very comprehensible speech to those who had not gone
through the scene of misery and woe, that the young heart of Ada had
known, but still there was a deep truthfulness and sincerity in the
tone in which it was uttered that sensibly affected every one.
“Shall I take you home?” said the person who had supported her in the
street.
“Home—home?” cried Ada.
“Yes; you are not well enough to go home by yourself; I will see you
safely home.”
“I have no home,” said Ada.
“No home?”
“None—I never had a home.”
The people looked at each other in amazement, and several of them
significantly touched their foreheads in confirmation of their belief
that the beautiful young girl was not quite right in her head.
“Where are your friends?” said one.
Public-domain text, read in full here on John Shaqi.
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