Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“Madam,” said Ada, gazing without the least timidity into the eyes of
Lady Hartleton, “when I was quite friendless and oppressed, there was
one who loved me—when no other human heart spoke a word of consolation
to me, there was one that beat for me, and bade its owner whisper to me
words of dearer hope and joy, than ever before had lingered in my ears.
Wonder not then, that even now, when I have so much to be thankful and
grateful for, my heart yearns for him to share its new born joy.”
“And his name?” said Lady Hartleton.
“Is Albert Seyton,” said Ada, with a sigh.
“Is he handsome, Ada?”
“I love him,” replied Ada, emphatically.
“Maidens seldom avow their preferences so very boldly,” said Lady
Hartleton, with a smile.
“They who have felt as I have felt,” said Ada, “the pangs of solitude
and the horrors of a persecution, surely never paralleled, would learn
to set a high value on the heart that loved them in their misery, and
to cherish as something holy, the words of comfort, hope, and kindness,
that were breathed to them in their despair. You wonder that I can avow
without a blush my heart’s fond love for Albert Seyton. Oh, lady, it
has been the only light that shone upon me through years of gloom. Can
you wonder, then, that I thought it beautiful—I am as one who had been
confined for many, many years, in a dungeon. I read the legend in a
book that Albert lent to me. For many years, then, this poor fated
being had not seen the light of day—had heard nothing but the harsh
grating of his dungeon door—the hideous rattle of his chains, until at
last one day there came struggling like a sunbeam upon his soul, a
strain of music. ’Twas a common air, and played unskilfully, but to him
it was indeed divine.”
“The prisoner lived to bid adieu to his dungeon, and he came abroad
into the great world. He heard music in its excellence—music that
seemed borrowed from Heaven, and he praised; admired; applauded it. But
one day, some wandering minstrel, with a careless hand, struck up from
a rude viol the strain that in his dungeon had so sweetly greeted him.
Oh, how his heart bounded, like a bird, within his breast—how a joy
unequalled danced through his brain. He wept, he sobbed aloud in his
happiness. What music greeted his rapt senses like that! He hung upon
the minstrel’s neck, and his prayer was—‘Oh, stay ever near me, and
when I am sad or weary, play to me that strain that I may thank God for
my happiness.’”
Ada ceased speaking, and Lady Hartleton caught her to her heart, as she
said,—
“My dear Ada, I did but speak for the pleasure of hearing you reply to
me. I am too richly repaid.”
“As that lonely prisoner loved the strain of melody that greeted his
dreary solitude,” sobbed Ada, “so let me love him who sought me out
when I had none else to love me, and told me how to hope.”
Public-domain text, read in full here on John Shaqi.
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