Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
He was long in reaching it, for he deviated from the strait track
largely; but when he did, oh, what an exquisite pleasure it was to lie
by the brink and dash his head in, drinking up huge quantities and
causing the cold stream to bubble in his mouth and ears.
Not till his breath was exhausted did Jacob Gray raise his head from
the pond, and then, when he did so, recollection returned to him up to
the point when he had sat down to supper with his two suspicious
friends in the court. With a cry that had something unearthly in it, he
hurriedly thrust his hands into all his pockets, then with a wild
shriek, he grovelled on the ground, dashing his head upon it, and
clutching the grass with his hands as he cried,—
“Gone—gone—all gone—that I have toiled for—beggared, ruined, gone.”
Then he lay on his back, panting, as he looked into the clear, quiet
pool before him, refecting, as it did, the face of Heaven in its glassy
surface, the thought came over him of plunging in, and at once ending a
life of never-ending misery.
“Is it easy to drown?” he asked himself; “or are there unknown hours of
maddening torture, after we think, by the cessation of all movement,
life is gone?”
He crawled towards the bank of the stream, and leaning over it, he
gazed long and earnestly into its clear blue depths, it seemed miles
down in the immensity of space, for now the ripples he had created had
all subsided, and there was scarcely the slightest trembling of the
reflected visage of the sky in the glassy stream.
Then with a shudder he withdrew, slowly.
“I dare not—I dare not,” he moaned. “It is for those of more unstained
souls than mine to take the awful leap from here to eternity, and hope
to be forgiven—not for me—not for me—I dare not. Yet where is now my
philosophy? There is no eternity—no, no—we are all here but to play our
parts in a great drama. What have I to fear? Nothing—nothing.
I—I—believe in nothing.”
Oh how the abject terror depicted in his countenance belied his words.
He was striving to cheat himself by the lying effusions of his own
tongue, while his heart was a haven of despair.
Suddenly his attention was arrested by a man singing, as he ascended to
the high ground, upon which Jacob Gray was lying. The strain was a
merry one, and jarred strangely upon the half-maddened ears of Gray,
who had just sufficient prudence left him to feel the necessity, in his
present position, of not giving any clue to suspicion, for he felt
that, in his weak and abject condition, a child might have arrested him.
He accordingly rested his head upon his arm, in as unconcerned an
attitude as he could assume, and awaited the coming of the man who was
now within a few paces of him. He was coarsely and roughly attired, and
evidently belonged to a very low grade of society. He did not notice
Jacob Gray till he apparently came full upon him, then he cried,—
“Hilloa, friend, you rise betimes. I call it over work getting up so
early.”
Public-domain text, read in full here on John Shaqi.
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