Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“What can this mean?” thought Learmont; then he said, aloud,—
“Who am I—you say you know me?”
“You—you didn’t think it,” said the man, with much drunken cunning;
“but I watched you home.”
“You watched me home?”
“Yes,—to be sure. Don’t be frightened; I—I saw you go in. Oh! oh!”
“Indeed!” said Learmont, who was determined to humour his singular
companion.
“Yes, I believe you, I—I thought you’d be surprised; and so you are:
it’s ex—extraordinary, ain’t it?”
“Oh! Very.”
“Well, I’ll do it—you recollect my name?”
“Perfectly.”
“Of course you do. Sheldon, you know.”
“Sheldon is your name.”
“Yes, you know. There isn’t a waterman on the river as—as—can drink
like me.”
“You are a waterman, then?”
“You—know I am.”
“Of course. Oh, yes, of course I do,” said Learmont.
“Well then, you know—I—can keep my own counsel—it’s extra—extraordinary
how clever I—am.”
“Quite remarkable.”
“Well—I—I—watched—you home, and I heard you—a talking to—the—boy—”
“The boy?”
“Yes. You keep him shut up—in the haunted—house—oh! oh!—I’ve watched
you—you—see.”
“The boy?” repeated Learmont.
“Yes, yes, the boy. I climbed up at the back of—of the old house, you
see.”
“Yes, yes,” said Learmont, eagerly, “and you saw—”
“Nothing.”
“Nothing?”
“D—d—damned a thing—but I heard you—”
“And—the boy? You heard the boy? A boy’s voice?”
“No, I didn’t.”
“You said so.”
“No, I didn’t—don’t in—in—insult me!”
“My good friend, I would not insult you on any consideration. I am
mistaken—I thought you said you heard a boy’s voice.”
“The—the—then—you thought wrong.”
“Exactly.”
“You are—a—f—f—fool—a ex—extraordinary fool.”
“Well,” said Learmont, in an oily voice, “you saw the boy?”
“Ah, now,” cried his drunken companion, “now you have hit it. I’ll just
tell you how—I—I cir—circum—navi—no, that ain’t it, circum—ventated
you.”
“Do,” said Learmont. ”You are exceedingly clever.”
“I know it. Well, I heard you talking to some one, and I went from
window to window to try to see in, you know, and at one of ’em I saw
him.”
“The boy?”
“Yes—to—to be sure.”
“Did you hear him speak?”
“I—I believe you—”
“Well—well.”
“Says he, in a mournful kind o’ way, says he,—what do you think now?”
“Really, I cannot tell.”
“Oh, but it’s ex—extraordinary, because you see that’s how—I found out
your name, you see.”
“My name, Master Sheldon?”
“Yes, your name.”
“No, you don’t know it. You cannot know it.”
“N—n—not know it?”
“Well, what is it, then, if you do know it?”
“Gray, to be sure.”
“Gray!” cried Learmont, with so sharp a cry, that the man jumped again;
and would have fallen had not Learmont clutched him tightly by the arm.
“Ye—ye—yes,” stammered the drunken man, in whom the reader has already
recognised Sheldon, the waterman, to whom Gray had proposed the murder
of Britton.
“You are sure? on your life—on your soul, you are sure the name was
Gray?”
Public-domain text, read in full here on John Shaqi.
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