Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
He now threw his whole thoughts into a consideration of what was to be
done with his intoxicated companion. That he had been in some sort of
communication with Jacob Gray he could not doubt, and moreover, he
shrewdly suspected that the destruction of Britten was the object
hinted at by Sheldon—that, however, was a far inferior object in
Learmont’s mind to the destruction of Gray himself, and the possession
of the boy he held in his power. Therefore was it that Learmont fell
into a train of anxious and horrid thoughts as to whether Sheldon after
he had left him might not, by his relation of having brought some one
to his secret abode, alarm the cautious Jacob Gray into an immediate
removal, and so baffle him, Learmont, again.
If there be any crime more awful than another, it is a cool and
deliberate murder founded upon calculation; but Learmont was just the
man to commit such an act, and while the thoughtless Sheldon was
hanging upon his arm and murmuring disjointed snatches of songs in
praise of good fellowship and glorious wine, Learmont half resolved
upon his death.
“This drunken idiot can be of no use to me,” he reasoned with himself,
“because I could never depend upon him; but he may, if I let him
escape, warn Gray, and I lose the rare chance that kind Fortune has
thrown so strangely in my way. He must die.”
They now passed the ancient entrance to the Bishop’s Palace; and
entered upon the well-known walk along the banks of the Thames, which
was then much more shadowed by lofty trees than it is at present; and
although those trees, in consequence of the season of the year, were
now leafless, yet their gigantic trunks cast broad and obscuring
shadows between them and the wall of the Bishop’s garden.
A cold piercing air blew from the Thames, and Sheldon shuddered as he
remarked,—
“I say—my—my good fellow, the—sooner we get to some place where we can
have this same ale, and—and sack—and Rhenish—the better—on my faith
it’s c—c—cold.”
“Come this way, close to the palace wall,” said Learmont, “and the old
trees will save us from the cool air that blows across the river.”
So saying, he led his doomed companion close to the ancient wall, then
he paused and listened attentively, in case any one should be within
hearing; all was as still as the grave—not the most distant sound
indicative of human life, met his ears.
“He must die!” muttered Learmont.
“You may say it’s cold,” remarked Sheldon; “w—w—what are you waiting
for—
“Ha! Ha! Ha! Who would not drink
When, the cup is brimming over,
Be it Rhenish—be it—sack—
Or burning old—Oc—Oc—October!
“that’s a—b—b—brave song—a ex—extraordinary brave song—a—w—w—wonderful
song.”
Learmont laid his hand on his sword as he said—
“There is more light now, Master Sheldon. Look at me.”
As he spoke he raised his cap, which previously had been drawn close
over his eyes, and raised himself to his full gaunt height.
The waterman fixed his wondering eyes upon him, and muttered:—
Public-domain text, read in full here on John Shaqi.
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