Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
The apartment was a small one adjoining a spacious room that was on the
second floor of the house, and communicating with it by folding doors.
It contained little else than a small couch and a few necessary
articles of the toilette. A large mat lay at the door, on which reposed
the dog, which was poor Harry’s only companion—his only friend.
The boy was up and leaning upon the window-sill, gazing earnestly
through a small chink that was left in the beading (for the window was
blocked up from without) which enabled him to see, and without danger
of being observed by any one in the street, and likewise was quite of
sufficient width to allow the morning sun to stream into the little
room.
With a deep sigh he turned from the window, and the dog at the same
moment rose, and with grateful gestures approached its kind master.
“The sun is shining, my poor Joy,” said Harry, mournfully; “but you and
I may not gambol in its beams. The world without this gloomy house
seems bright and beautiful, but we are prisoners, ’tis very, very
strange; Gray tells me he is my uncle, and that there is a fearful
secret connected with the family that forces him to shut himself and me
up in this mysterious manner. Uncle Gray, I doubt you. Such a tale
might suit the ears of a child, but—I—I am one no longer. Can this man
be my uncle? His behaviour is so strange to me, alternately harsh and
kind, affectionate and cruel. Alas! I know not what to think. Oh, how
my heart yearns for the bright sunshine, the open sky, and the green
fields! How long am I to be thus immured? Heaven only knows. I—will—I
must seek some other explanation. I know he fears me, I have seen him
shrink before my eyes. I have marked him tremble and turn pale at a
chance word I uttered, and yet I had no clue to such feelings, because
I knew not which word it was that moved him so; and this disguise, too,
which he persuades, begs, implores of me to wear, as he says, for my
life’s sake; ’tis very strange. These are not the garments of a young
maiden as I am. What have I done that I should, thus forswear sex,
liberty, sunshine, joy, all that makes life rich, and beautiful to the
young? Alas! Alas! What have I done to be a dreary prisoner? In all my
weary years, short, but oh, how long to me! But one face beamed with
kindness on me, that face was Albert Seyton’s; but one voice spoke to
me in accents of love and pity—that voice was Albert Seyton’s; but one
heart seemed ever to really feel for me a pang of sorrow, and—and—that
heart was Albert Seyton’s.”
The young girl, for such she was, sunk into a chair and wept bitterly.
Then suddenly dashing aside the tears that obscured her beautiful eyes,
she said,—
Public-domain text, read in full here on John Shaqi.
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