Adam Hepburn's Vow: A Tale of Kirk and CovenantSwan, Annie S.
History
Adam Hepburn's Vow: A Tale of Kirk and Covenant
Swan, Annie S.
Covenanters -- Fiction; Scotland -- History -- 17th century -- Fiction
play: two lovely children, a boy and girl, the former, having been very
delicate in infancy, only able to toddle on his little legs, and his
baby tongue only yet learning the mysterious language of words. A little
apart, also busy with her sewing, sat their mother, a lovely creature,
to all appearance scarcely yet out of her girlhood, with a round sweet
innocent face, as delicate in hue as the tint of the lily and the rose
combined, and clear liquid blue eyes, which had evidently never yet been
dimmed by bitter tears. She was a picture of serene and happy repose,
not a shadow crossed her fair face, and her low humming of a familiar
melody seemed to indicate a heart at rest.
Familiar though he was with the shallowness of his wife’s nature, David
Gray, looking on her face, was amazed. He had expected to see her a
little changed; he thought that a small measure of anxiety, a shadow of
regret concerning him, might have left its impress on her face. But no,
she looked younger, fairer, more free from care than he had ever seen
her before. If there had been any lingering hope in his mind that the
wife whom he still loved, thought of, or longed for him in her
separation, it was dispelled at once and for ever. But for the two
little ones playing at her feet, the years of her wifehood might have
seemed only the shadow of a dream, so unchanged was she from the light
and giddy girl who had ruled the house of Haughhead since her babyhood.
Pleasant and suggestive as was the picture in that family room, it
caused a deep, deep shadow to come upon the sad face of the minister of
Broomhill. He felt himself utterly forgotten by those bound to him by
the nearest and dearest of ties. They had put him away out of their
hearts and lives as one undeserving of their love. Presently his
painful thoughts were interrupted by the gruff voice of Gilbert Burnet,
and every word was distinctly audible.
"Give your song words, Lily," he said; "this is just the time of night
for music. Is the harp there?"
"Yes, father," the sweet, careless tones made answer, blithely, and
David Gray saw her throw aside her work, and approach the corner of the
room where the harp stood. Then she sat down, ran her white fingers
lightly over the strings, tossed back her sunny ringlets in the
coquettish fashion he remembered so well, and then began the sweet,
stirring strains of an old ballad, which had ever been a favourite in
days gone by. Listening to these sweet strains, the minister of
Broomhill seemed to forget himself and his surroundings, until the
abrupt cessation of the music, and a loud clapping of hands, caused him
to start, and cast another look into the room. The children had now
risen from their play, and were clapping their baby hands in glee over
the music.
Public-domain text, read in full here on John Shaqi.
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