Addison, Joseph, 1672-1719; Authors, English -- 18th century -- Biography
"As for his speculations, notwithstanding the several obsolete words
and obscure phrases of the age in which he lived, we still understand
enough of them to see the diversions and characters of the English
nation in his time; not but that we are to make allowance for the
mirth and humour of the author, who has doubtless strained many
representations of things beyond the truth. For, if we must interpret
his words in their literal meaning, we must suppose that women of the
first quality used to pass away whole mornings at a puppet show; that
they attested their principles by their patches; that an audience
would sit out an evening to hear a dramatical performance written in a
language which they did not understand; that chairs and flowerpots
were introduced as actors upon the British stage; that a promiscuous
assembly of men and women were allowed to meet at midnight in masks
within the verge of the Court; with many improbabilities of the like
nature. We must, therefore, in these and in the like cases, suppose
that these remote hints and allusions aimed at some certain follies
which were then in vogue, and which at present we have not any notion
of."[91]
His power of ridiculing keenly without malignity is of course best shown
in his character of Sir Roger de Coverley, whose delightful simplicity of
mind is made the medium of much good-natured satire on the manners of the
Tory country gentlemen of the period. One of the most exquisite touches is
the description of the extraordinary conversion of a dissenter by the Act
against Occasional Conformity.
"He (Sir Roger) then launched out into praise of the late Act of
Parliament for securing the Church of England, and told me with great
satisfaction that he believed it already began to take effect, for
that a rigid dissenter who chanced to dine in his house on Christmas
day had been observed to eat very plentifully of his
plum-porridge."[92]
The mixture of fashionable contempt for book-learning, blended with shrewd
mother-wit, is well represented in the character of Will Honeycomb, who
"had the discretion not to go out of his depth, and had often a certain
way of making his real ignorance appear a seeming one." One of Will's
happiest flights is on the subject of ancient looking-glasses. "Nay," says
he, "I remember Mr. Dryden in his _Ovid_ tells us of a swinging fellow
called Polypheme, that made use of the sea for his looking-glass, and
could never dress himself to advantage but in a calm."
Public-domain text, read in full here on John Shaqi.
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