"Elsie Scott had let her work fall on her knees, and her hands on her
work, and was looking out of the wide, low window of her room, which
was on one of the ground floors of the village street. Through a gap
in the household shrubbery of fuchsias and myrtles filling the
window-sill, one passing on the foot-pavement might get a momentary
glimpse of her pale face, lighted up with two blue eyes, over which some
inward trouble had spread a faint, gauze-like haziness. But almost
before her thoughts had had time to wander back to this trouble, a
shout of children's voices, at the other end of the street, reached
her ear. She listened a moment. A shadow of displeasure and pain
crossed her countenance; and rising hastily, she betook herself to an
inner apartment, and closed the door behind her.
"Meantime the sounds drew nearer; and by and by, an old man, whose
strange appearance and dress showed that he had little capacity either
for good or evil, passed the window. His clothes were comfortable
enough in quality and condition, for they were the annual gift of a
benevolent lady in the neighbourhood; but, being made to accommodate
his taste, both known and traditional, they were somewhat peculiar in
cut and adornment. Both coat and trousers were of a dark grey cloth;
but the former, which, in its shape, partook of the military, had a
straight collar of yellow, and narrow cuffs of the same; while upon
both sleeves, about the place where a corporal wears his stripes, was
expressed, in the same yellow cloth, a somewhat singular device. It
was as close an imitation of a bell, with its tongue hanging out of
its mouth, as the tailor's skill could produce from a single piece of
cloth. The origin of the military cut of his coat was well known. His
preference for it arose in the time of the wars of the first Napoleon,
when the threatened invasion of the country caused the organization of
many volunteer regiments. The martial show and exercises captivated
the poor man's fancy; and from that time forward nothing pleased his
vanity, and consequently conciliated his good will more, than to style
him by his favourite title--the _Colonel_. But the badge on his arm
had a deeper origin, which will be partially manifest in the course of
the story--if story it can be called. It was, indeed, the baptism of
the fool, the outward and visible sign of his relation to the infinite
and unseen. His countenance, however, although the features were not
of any peculiarly low or animal type, showed no corresponding sign of
the consciousness of such a relation, being as vacant as human
countenance could well be.
Public-domain text, read in full here on John Shaqi.
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