Adeline's fears and pity for her being thus allayed, she began to have
leisure to feel and fear for herself; and the idea, that, by being in
such close contact with Mary, she was imbibing so much of the disease
as must inevitably communicate it to Editha, recurred so forcibly to
her mind, that, begging for mercy's sake she would loose her hold, she
endeavoured to break from the arms of her tormentor.
But in vain.--As soon as Mary saw that Adeline wished to leave her,
she was the more eager to hold her fast; and protesting she should die
if she had the barbarity to leave her alone, she only hugged her the
closer. 'Well, then, I'll try to stay till Mr Langley returns,' cried
Adeline: but some minutes elapsed, and Mr Langley did not return; and
then Adeline, recollecting that when he did return he would come fresh
fraught with the pestilence from the dead body of his infant, could no
longer master her feelings, but screaming wildly,--'I shall be the death
of my child; let me go,'--she struggled with the determined Mary. 'You
will drive me mad if you detain me,' cried Adeline.
'You will drive me mad if you go,' replied Mary, giving way to a violent
hysterical scream, while with successful strength she parried all
Adeline's endeavours to break from her. But what can resist the strength
of phrensy and despair? Adeline, at length worked up to madness by the
fatal control exercised over her, by one great effort threw the sobbing
Mary from her, and, darting down stairs with the rapidity of phrensy,
nearly knocked down Mr Langley in her passage, who was coming to
announce the restoration of the little boy.
She soon reached Fleet-street, and was on her road home before Langley
and Mary had recovered their consternation: but she suddenly recollected
that homewards she must not proceed; that she carried death about her;
and wholly bewildered by this insupportable idea, she ran along the
Strand, muttering the incoherencies of phrensy as she went, till she
was intercepted in her passage by some young men of _ton_, who had been
dining together, and, being half intoxicated, were on their way to the
theatre.
Two of these gentlemen, with extended arms, prevented her further
progress.
'Where are you going, my pretty girl,' cried one, 'in this hurry? shall
I see you home? heh!'
'Home!' replied Adeline; 'name it not. My child! my child! thy mother
has destroyed thee.'
'So!' cried another, 'actress, by all that's tragical!'
'Unhand me!' exclaimed Adeline wildly. 'Do not you know, poor babe, that
I carry death and infection about with me!'
'The devil you do!' returned the gentleman; 'then the sooner you take
yourself off the better.'
'I believe the poor soul is mad,' said a third, making way for Adeline
to pass.
'But,' cried the first who spoke, catching hold of her, 'if so, there is
method and meaning in her madness; for she called Jaby here a poor babe,
and we all know he is little better.'
Public-domain text, read in full here on John Shaqi.
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