Adonijah: A Tale of the Jewish Dispersion.Strickland, Jane Margaret
History
Adonijah: A Tale of the Jewish Dispersion.
Strickland, Jane Margaret
Jerusalem -- History -- Fiction; Jerusalem -- History -- Siege, 70 A.D. -- Fiction; Jews -- Fiction
The noise of the shouts those fickle soldiers gave reached the ears of
the deceived Nymphidius, who suddenly resolved to throw himself among
them without waiting for the presence of the other conspirators. At this
important crisis his thoughts suddenly reverted to his wife: an
undefined foreboding of coming evil entered his breast; he had never
experienced the sensation before. He must see her, must bid her
farewell; perhaps he might never return. He entered her apartment and
found her seated beside a small table perusing some vellum scrolls, a
silver lamp burning before her cast a sort of glory round her
exquisitely moulded head and waving ringlets, a white robe fell round a
form whose living beauty sculpture would vainly imitate. The holy peace,
the deep repose of innocence and purity rested on her lovely features as
she bent over the inspired writings with rapt attention, undisturbed
even by the step of the ambitious aspirant of empire. He looked
earnestly and intently upon his Christian wife, a momentary calm stole
over his senses, he uttered her name, but the tones died away unheard.
The distant shouts from the camp excited a fresh fever in his brain.
“Lucia Claudia!” cried he, and his voice, no longer indistinct, sounded
deep as from out of the earth. She started in surprise and terror as she
rose to meet him. The muscles of his throat were swollen, a fearful
energy sat on his brow, his eyes were fixed and glaring, but gradually
softened as they encountered hers. Some terrible determination was
struggling within his soul; she almost imagined he intended to do her
harm. Suddenly Nymphidius caught her in his arms and passionately and
repeatedly embraced her, then flung her from him, then caressed her
again. She endured this without returning his caresses or resenting his
violence. “You do not love me!” he exclaimed,—“you hate me, and yet I
am risking my life to make you the greatest lady in Rome; but, mark me,
Lucia Claudia, I will neither live nor die without you. The partner of
my throne or of my grave, no power shall divide your fate from mine. If
I fall, you shall never wed another man; for if I thought so, I
would——” he laid his hand on his sword with a terrible look that gave
full meaning to the unfinished sentence.
Lucia’s countenance expressed apprehension, she trembled, she
endeavoured to speak. He drew her to him, pressed a kiss on her brow,
and disappeared; she heard him speaking to his freedman, and then his
footsteps echoed on the marble pavement of the court beneath. He went
alone to the camp, and perished there.
-----
[14] See Appendix, Note VII.
CHAPTER XVI.
“When died she?”—BYRON.
Public-domain text, read in full here on John Shaqi.
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